A fascinating memoir by a 21st-century original.
How does a fictional character write a real memoir? Very, very well.
Most readers who are active on social media are aware of Duchess Goldblatt, the acerbic yet warmhearted doyenne of Twitter, represented by a Frans Hals portrait of an elderly woman with a stiff muff around her neck. Over the years, she’s dispensed witticisms and advice to her 24,000-plus followers, many of them writers, without giving away any clues about the person behind the persona. When she finally met her No. 1 fan, Lyle Lovett (it’s a long story), he was shocked that she wasn’t "a little old lady or a gay man!” Now, Duchess Goldblatt’s admirers can get to know her still-anonymous creator, and perhaps the biggest surprise in this striking memoir is the fact that Duchess is a name (taken from a friend’s dog), not a title, though no doubt everyone will keep calling her “Your Grace.” The author created Duchess during a terrible time: She'd lost her job, her husband had left her, and she was tormented by the part-time separation from her young son. Duchess was a way for her to lurk online, but she soon found herself carefully crafting posts, responding to everyone who wrote to her, and finding solace in the community she’d created. The book is prismatic, moving among the author’s difficult childhood, the years after her divorce, and her growing relationships with people Duchess had befriended—only a few of whom, including Lovett, have ever met her. She wrestles with the questions of whether she and Duchess are two separate people and how Duchess makes friends so easily when she herself feels almost friendless. Lovett’s manager called what she’s doing “collaborative performance art,” and that’s an apt term for it; together with Duchess’ followers, she’s created a long-term fever dream of humor, compassion, wordplay, and dog photos.
A fascinating memoir by a 21st-century original.Pub Date: July 7, 2020
ISBN: 978-0-358-21677-3
Page Count: 240
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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