The chef wields his pen with the same murderously winning flair as he does his knives.
Bestselling chef (A Cook’s Tour, 2001, etc.) and mystery author Bourdain (Gone Bamboo, 1997, etc.) recounts in 12 swift-moving segments the sad-hearted luck of an ex-con nightclub bouncer.
Bobby Gold—neé Goldstein—has taken the rap for his slick friend Eddie Fish all his life: eight years for a framed cocaine charge, then employment as Eddie’s debonair Lower Manhattan henchman. But Bobbie is smart (he studied premed and knows just how to make a clean snap of the radial ulna), diplomatic at his tough-guy tasks at the NiteKlub, and even slightly ashamed at this point in his life of having to rough up customers to get Eddie’s late payments. Bobby’s romantic to boot, as he learns when he catches the eye of Nikki, “the sauté bitch,” who’s having trouble not sleeping with bad-boy cooks. Tired of “the business”—slinging monkfish in truffle risotto night after night at NiteKlub—she wants to make money “by doing something illegal,” and, though Bobbie wants out of the mob fire, he ends up taking the rap for her, too, when she steals money out of NiteKlub’s safe and has to disappear. Bourdain has a Bellovian relish for depicting the small-town gangster—pathetic, hilarious, human—and the dialogue keeps the action gurgling merrily along despite the flinging viscera. Bourdain’s favorite locus, of course, is the kitchen: the blow jobs for the best staff meals, the tightly protected territory of each cook in the line, the cocaine-snorting chef and hostess in the backroom. With a few short, sharp strokes, he delineates fully fleshed, deeply flawed, powerfully sympathetic characters. Set aside the plot: Bourdain’s dialogue is worth the price of the meal, as in the scene at a Manhattan restaurant when “citizen of the world” Eddie questions every item on the cryptic menu, to the mortification of his waiter: “Wasabi . . . Wasabi . . . Was that a good thing or a bad thing?”
The chef wields his pen with the same murderously winning flair as he does his knives.Pub Date: May 1, 2003
ISBN: 1-58234-233-4
Page Count: 176
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
