ERNEST HEMINGWAY AND HIS WORLD

With nothing near the sympathetic engagement he finds with Joyce, Burgess comes rather diffidently to this once-over-lightly biography of Hemingway—short text, page-sized pictures, the barest critical attention to the work. But saying that (which might be said of many in this series), it's also true that Burgess' not over-fond tone works nicely: "Superstitious, morbidly touchy, he growled about wringing various bastards' necks, and then he went moodily off to kill elk and moose, black bears and little birds." There's probably nothing here that can't be found in Carlos Baker or A. E. Hotchner or Scott Donaldson, but it's the picking-over that lends spice; Burgess has a taste for the curiously eclectic biographical detail, such as Hemingway's speech defect: "lambdacismus (an inability to pronounce the lateral consonant, so that lilies in his mouth were wiwwies)." On Hemingway's early, mean, and inept parody of Sherwood Anderson, The Torrents of Spring: "The only author Hemingway ever proved capable of parodying was himself." Burgess shows respect for Hemingway's innovative prose procedures and sadness about his increasingly pathological life—all in that graceful Burgess style, not too tricky for once—but finally it's like a little wave too late and from too far away: a gesture, and of no consequence whatsoever.

Pub Date: Sept. 1, 1978

ISBN: 0684185040

Page Count: 128

Publisher: Scribner

Review Posted Online: May 15, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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