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Othello Greene

THE STORY BEGINS

This terrorist tale reads like a thrilling but extremely violent action movie, with some intriguing twists in plot and...

A debut novel offers the broad scope of a Hollywood blockbuster, with two formidable, high-tech groups at war.

In the very first scene of this book, the titular hero is beaten and maimed, calling into question how the rest of this tale could possibly play out. Lt. Othello Greene, the leader of America’s top special-ops team, has been captured by a high-tech terrorist group calling itself the Global Supremacy Federation, headed by a deeply evil man named Genesis. Greene, forced to kill a comrade for the sake of mercy, is tossed into a pit of hyenas, his torture broadcast to millions worldwide as a demonstration of power. But a renegade band called The Disciples of Khidar, a Muslim group that vows to help the oppressed, saves him. The Disciples are also high-tech, and use that technology to heal victims of war. They have tracked Greene and believe him to be sent by Allah for a greater purpose. As the GSF destroys more of the globe, killing world leaders and ravaging U.S. cities, a man named Khan tends to Greene and converts him to Islam by showing him his former religion, Christianity, is based on lies. U.S. President Heather Cotton tries to defy the GSF, but it quickly becomes clear the group has outthought the West and its allies and possesses superior technology; the world remains bent to the terrorists’ will until Greene can rejoin the fray. Baltimore tells a parallel story every few chapters of Greene’s high school years as an academic and sports star, and his relationship with his mother and his best friend, Kojo. The tales are on a global and local scale, and both lines benefit from that strategy. There are some fantastic twists involving supporting characters, especially in relation to a subplot about a mole in Cotton’s cabinet. But the trajectory of Greene’s story in both tracks can be a bit predictable at times. He wins the big game and The Disciples convert him to Islam fairly handily. The book, close to 800 pages, could have been streamlined. Baltimore has a real talent for writing an action scene and casting good and evil in bold relief in his characterization. But this is not a novel for the faint of heart; the violence can be intense. To further prove how sinister Genesis is, the narrative delivers a graphic depiction of child rape, which he orders to intimidate an ally who betrays him.

This terrorist tale reads like a thrilling but extremely violent action movie, with some intriguing twists in plot and philosophy.

Pub Date: July 4, 2016

ISBN: 978-0-9971524-0-1

Page Count: 780

Publisher: Jourstarr Quality Publications

Review Posted Online: Nov. 25, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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