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“THEY HAVE KILLED PAPA DEAD!”

THE ROAD TO FORD’S THEATRE, ABRAHAM LINCOLN’S MURDER, AND THE RAGE FOR VENGEANCE

A study of burning focus and intimate depth.

Journalist and historian Pitch (The Burning of Washington: The British Invasion of 1814, 1998, etc.) recounts the events surrounding Lincoln’s assassination.

The author follows the tragedy from the first attempts on his life at the time of the president-elect’s perilous entry into Washington, D.C., in February 1861, through the release, in 1867, of the assassin’s most ardent supporter, John Surratt, and the scramble by informers to claim the government reward money. To the well-worn record, Pitch contributes several riveting new discoveries he gleaned from scouring private letters and newspaper reports: a mention by the commissioner of public buildings, Benjamin Brown French, asserting that he forcibly restrained John Wilkes Booth in the Capitol rotunda during the second inaugural assemblies; a March 19, 1864, story in the New York Tribune discussing a plot to kidnap the president; and a letter by convicted conspirator Samuel Arnold in which he applied for a job with Secretary of War Edwin Stanton three months after signing on to Booth’s scheme. Booth’s initial plan was to kidnap the president and take him south, but on that fateful night of April 14, 1865, when the president and first lady were watching Our American Cousin at Ford’s Theatre, Booth decided to kill them both. Chillingly, Lincoln had revealed to his wife and others premonitions of his fate, while Booth had recorded a prophecy by a Gypsy fortuneteller, who told him, “I’ve never seen a worse hand, and I wish I hadn’t seen it.” Pitch describes the grim preparations of the conspirators for trial, and the weeks of confinement and deprivation afforded them before conviction and hanging. Pitch is a patient storyteller, and the well-developed characters, brought to life through diaries, letters and other primary sources, heighten the drama and poignancy.

A study of burning focus and intimate depth.

Pub Date: Jan. 2, 2009

ISBN: 978-1-58642-158-8

Page Count: 560

Publisher: Steerforth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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