by Antoine de Saint-Exupéry ‧ RELEASE DATE: April 6, 1943
The door's wide open on my guess as to how this will sell. It may get a break, it may be read by the right people, those rare adults who can go over the border of the Never Never Land without a backward look, who can sense intuitively that intangible outer fringe of unreality that is wholly real to children. Let's say that those who loved the fey quality in Barrie — in Robert Nathan —who read their Alice for sheer escape rather than self conscious nostalgia, they will touch the gossamer beauty of The Little Prince, and chuckle over it, and take it as simply and unaffectedly as "St Ex" himself. Perhaps belief in "the little prince" is the forerunner of belief in the gremlins; who knows? This is a fairy tale for grown ups; later the children will claim it, I am sure. It is the tale of the tiny creature who came to Saint-Exupery when he was stranded in the Sahara, who told him the saga of his exotic travels in search of truth, when he left his own tiny asteroid, and visited others, until he reached the earth. It was the fox who wanted to be tamed who taught him that he must return to his own and find there the happiness and the meaning of life he had left....I've seen only a few of the pictures which the author has made an integral part of the text. They are being printed in color — and the text simultaneously, in French and English.
Pub Date: April 6, 1943
ISBN: 0547978847
Page Count: 96
Publisher: Reynal & Hitchoock
Review Posted Online: June 18, 2013
Kirkus Reviews Issue: April 1, 1943
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by Corinne Delporte ; illustrated by Antoine de Saint-Exupéry ; translated by Carine Laforest
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PROFILES
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Elizabeth Acevedo ‧ RELEASE DATE: May 5, 2020
A standing ovation.
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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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