by Antonio Di Benedetto ; translated by Martina Broner ‧ RELEASE DATE: May 23, 2017
Di Benedetto’s view of the world is gloomy, his writing precise and poetic. It’s a winning combination.
Collection of stories by the newly rediscovered Argentinean writer Di Benedetto (1922-86), who blends the fantastic sensibilities of Borges and Kafka with the profound pessimism of Dostoyevsky.
A father, wealthy and disconnected, brings a palm tree to his estate and a monkey to go along with it. The monkey takes refuge in the tree and “only came down to scrounge or eat whatever food some kindly soul laid out at the foot of his dwelling.” The man’s son reckons that although he doesn’t have a palm tree to call his own, he is a monkey himself—and moreover, one who has made in the palm tree of his mind room for a whole flock of “blissful sparrows, canaries, and partridges.” So goes the title story, taken from Di Benedetto's first collection, Animal World, published in 1953. Later collections shed animal metaphors for more straightforward depictions of people who are unfailingly put upon, men and women who talk past one another in landscapes of “withered leaves gone brown, soon to rot,” who venture into the mosquito-infested jungle for no good reason except to satisfy the hunger of the inhabitants: “if those tiny beasts had a soul and their souls were inclined to vengeance,” thinks the adventurous journalist at the center of the beguiling story “Orthopterans,” from a collection published in 1983, “they will feed on me as soon as I fall still.” So they do. One of the most memorable stories here involves a Bartleby-like refusal on the part of an itinerant gaucho to take work that does not suit his dignity, an identification with the oppressed that explains why Di Benedetto should have run afoul of Argentina’s military junta in the 1970s—but that does not explain why his work should have been overlooked for so long, a gap this collection of short fiction helps remedy.
Di Benedetto’s view of the world is gloomy, his writing precise and poetic. It’s a winning combination.Pub Date: May 23, 2017
ISBN: 978-0-914671-72-5
Page Count: 250
Publisher: Archipelago
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
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by Antonio Di Benedetto ; translated by Esther Allen
by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Louis L’Amour ‧ RELEASE DATE: May 11, 1999
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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