Unbalanced narrative but striking art—best for fans of minutiae.

THE FLUTIST OF ARNHEM

A STORY OF OPERATION MARKET GARDEN

Gil's graphic novel provides a detailed look at a massive World War II operation, from the planning and logistics to the blood and guts required to see it through.

British spy John Hewson has gathered crucial intelligence that could help turn the tide of the war, but delivering it from behind enemy lines won’t be easy, even with the Nazis preoccupied by Operation Market Garden, an immense Allied effort to break the stalemate on the European front and bring the war to a close. Gil gives us pulse-pounding escapes from the Germans’ tightening noose, stealthy assassinations of enemy combatants, and explosive firefights that test a soldier’s mettle. He also gives us pages of dense exposition that situate the dramatic moments in the larger context of the war but also bring the narrative to a crawl as the reader slogs through panels plastered with text. The book presents itself as Hewson's story, but muddying that focus and robbing some personal moments of their punch are frequent shifts in perspective—from Hewson to the Germans chasing him to a company of British soldiers to Dwight D. Eisenhower himself, not to mention periodic jumps to omniscient narration that fill in backstory and detail troop movements and tactics. One wishes Gil could’ve woven the history and context more naturally into the narrative rather than inserting the recurring infodumps. The art is compellingly realistic, with excellent attention given to facial expressions and anatomy as well as to the machinery of war. The colors and lines have a thick, clumpy quality that, combined with the realism of the images, lends the work a digital, rotoscoped feel. The action is intense and the violence is brutal without being gory.

Unbalanced narrative but striking art—best for fans of minutiae.

Pub Date: May 19, 2021

ISBN: 978-1-68247-463-1

Page Count: 152

Publisher: Dead Reckoning/Naval Institute Press

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

SUPERMAN SMASHES THE KLAN

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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