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BAREFOOT DOGS by Antonio Ruiz-Camacho



by Antonio Ruiz-Camacho

Pub Date: March 10th, 2015
ISBN: 978-1-4767-8496-0
Publisher: Scribner

When the patriarch of a large, wealthy clan in Mexico City is kidnapped, it leads the family to an unintentional diaspora.

Mexican-born, Texas-based journalist Ruiz-Camacho shows a wealth of talent in this fiction debut, a collection of interconnected stories about the blowback from the disappearance of José Victoriano Arteaga, a wealthy Mexican citizen. In the opener, “It Will Be Awesome Before Spring,” the don’s 19-year-old granddaughter, Fernanda, offers a flashback about what happened when the patriarch disappeared after leaving his office for lunch one day in 2004: “It is the year all the members of my family will end up fleeing Mexico, following Grandpa’s disappearance, but at that point I don’t know for sure what’s happened to him.” Ruiz-Camacho captures a younger child’s take on grief and misunderstanding in “Okie,” written from the point of view of 8-year-old Bernardo. An outstanding offshoot from the main plot comes in “Origami Prunes,” in which a young consulate officer named Plutarco Mills meets the don’s daughter Laura in a laundromat and starts an affair with her only to meet her daughter Nicolasa years later under sad, strange circumstances. There’s a funny, almost theatrical exchange in “I Clench My Hands Into Fists and They Look Like Someone Else’s,” in which two siblings, Homero and Ximena, have holed up in a Manhattan flea trap to pop pills, snipe at each other and dream of better days ahead. Another offshoot, “Better Latitude,” examines the unique heartache carried by Silvia Guevara, mistress to Don Victoriano and the mother of his 6-year-old son, Laureano, to whom she must explain where Daddy went. Finally, Ruiz-Camacho sticks the landing in the title story, transposing son Martin's trip to the vet in Madrid with his memories of the don’s body parts' arriving in the mail, ending with a conversation with his father’s ghost.

A nimble debut that demonstrates not a singular narrative voice but a realistic chorus of them.