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WINGED

Fasten your seatbelt for an enjoyable flight of fancy told in a confessional voice by likable people.

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When Angel is born with tiny flaps perched on her shoulder blades, her unwed teen mother ignores medical advice to surgically remove them—and the result of this decision brings unexpected glory and grief to mother and daughter and those that they love.

Quick-thinking survivor Allison, cast out by judgmental parents when they learn she is pregnant after a frat house gang rape, has her baby and names her Angel. The single mother eventually parlays her knack for numbers into a job as a CPA. She meets Mark Dennison, one of the fraternity boys, who agrees to a DNA test and helps Allison investigate the others, but Angel’s paternity remains a mystery. Allison falls in love with her co-worker, widower Charlie Evans, who already has a young son, Nicky. They marry and have another child, Shelby. Life becomes ordinary—except that as she grows up, little Angel manifests an obsession that begins as a fascination with winged fairies, moves to flying dinosaurs and then to her wings of her own. In school Angel learns to hide her wings, but when she hits puberty they start growing again. Sharing the perky “can-do” attitude of her mother, Angel turns her exotic looks into a six-figure underwear modeling contract. Actual flying becomes Angel’s true passion and the realization of her dream comes at a high price for everyone, especially her mother, who develops her own obsession after tragedy strikes. Told in the first person, initially by Allison and then at the end by those Angel loved the most, including the dashing Jack who joins the grown-up Angel in her flight goal,  Kelly’s fast-paced novel takes the reader on a flight of fancy couched in realistic, straight-forward and graceful prose that makes the fantastic utterly believable. Logistics, physics, feathers and ambition combine to draw the reader into Angel’s world. It’s hard to stop reading this gracefully written novel and the only quibble possible is that the last letters and diary entries seem anticlimactic and work too hard to explain exactly how everything happened.

Fasten your seatbelt for an enjoyable flight of fancy told in a confessional voice by likable people.

Pub Date: Oct. 12, 2011

ISBN: 978-0615523064

Page Count: 259

Publisher: Flight Risk

Review Posted Online: Nov. 14, 2011

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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