The staccato rhymes suggest themselves for all sorts of exuberant oration, from simple read-alouds to more orchestrated...
Let’s hear it for the veggies! This cheerful chant pairs pithy couplets with the author’s photographs of farmer’s market beauties.
The staccato rhymes suggest themselves for all sorts of exuberant oration, from simple read-alouds to more orchestrated pageantry, perhaps involving kids as players. Page turns are cleverly used to add further punch to the rhymes: “Lettuce. Lima. Go, green bean! / Cucumber’s cool. Kohlrabi’s queen!” The photographs, as sturdy and delicious as their subjects, occasionally pull off a visual pun: The aforementioned queenly kohlrabies sport crowns of trimmed stalks that indeed lend a regal air. Photos, bordered with thin white lines in offset rectangles, appear against pages of green, gold, eggplant-purple or tomato-red. (Yup, it’s a fruit, but it makes several honorary appearances.) Crisp white type in the serif font “Calvert” adds the right rah-rah touch. The most pleasing aspect about this crunch-fest for parents and caregivers, arguably, is its happy presumption: What kid wouldn’t love to both celebrate and chow down on these fresh and fabulous foods? Indeed, Sayre’s appended a page of facts and suggestions and notes that “No vegetables were harmed or mistreated in the making of this book. Most, however, were later eaten.” (Cauliflower pom-poms, anyone?) Page turns are cleverly used to add further punch to the rhymes: “Lettuce. Lima. Go, green bean! / Cucumber’s cool. Kohlrabi’s queen!” The photographs, as sturdy and delicious as their subjects, occasionally pull off a visual pun: The aforementioned queenly kohlrabies sport crowns of trimmed stalks that indeed lend a regal air. Photos, bordered with thin white lines in offset rectangles, appear against pages of green, gold, eggplant-purple or tomato-red(Yup, it’s a fruit, but it makes several honorary appearances.) Crisp white type in the serif font “Calvert” adds the right rah-rah touch. The most pleasing aspect about this crunch-fest for parents and caregivers, arguably, is its happy presumption: What kid wouldn’t love to both celebrate and chow down on these fresh and fabulous foods? Indeed, Sayre’s appended a page of facts and suggestions and notes that “No vegetables were harmed or mistreated in the making of this book. Most, however, were later eaten.”Pub Date: June 14, 2011
ISBN: 978-1-4424-2141-7
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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