by Ardyce C. Whalen ‧ RELEASE DATE: July 6, 2017
A well-considered, insightful mixture of personal drama and early feminism.
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A young Lutheran converts to Catholicism and then questions the church’s stance on birth control in this novel of a woman’s self-discovery.
Britt Anderson attends college in rural Minnesota and feels trapped by her father’s prohibition on her becoming a nurse. Jesse, a college boyfriend, abruptly enlists in the U.S. Army to serve in the Korean War, and when she learns her current best friend, Andy Hughes, has likewise joined the Navy, Britt is distraught. Despite the objections of her Lutheran parents and Andy’s Catholic family, the warning from her pastor that she is doomed to hell, and her misgivings at interrupting her education, Britt and Andy rush into marriage. Britt converts to Catholicism and struggles to conform to the church’s teachings on a wife’s proper submission, penance, and avoidance of birth control. As a military wife, she is left alone for months at a time, often while pregnant, and forced to move around the country and live in claustrophobic quarters. She tries to make the best of it. Their parents soften, although Britt’s father lays down a new rule: no more than three children. Conflicted, Britt secretly uses a diaphragm and then discards it in a fit of religious guilt. She and Andy stay celibate for eight months, straining their relationship. Frustrated, longing to resume her education and have a career, Britt becomes pregnant for the fifth time, and Jesse makes a surprise reappearance in her life. The unfortunate title, which hardly captures the story’s emotional depth, misleads the reader into expecting a pro–abortion rights screed. An introduction explains that the novel’s title comes from a 2015 interview with Pope Francis. Nevertheless, this is a well-written family saga centered on a freethinking woman, with fascinating details on making ends meet, antiquated medical attitudes, and the difficulties of raising children in the early 1950s. The characters develop slowly through dialogue and drama, and Britt’s inner conflicts arouse empathy and alarm. The final chapter seems rushed, adds some unnecessary religious commentary, and concludes with an epilogue that likewise appears tacked on. Nevertheless, this is a riveting first effort.
A well-considered, insightful mixture of personal drama and early feminism.Pub Date: July 6, 2017
ISBN: 978-1-5320-2415-3
Page Count: 292
Publisher: iUniverse
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Review Program: Kirkus Indie
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by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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More About This Book
SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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