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THE KINGSLEY HOUSE

An admirable first effort.

A debut historical, spanning 150 years of small-town Michigan life, that smoothly incorporates the growth of America into

the lives of its characters. A descendant of the builders and subsequent inhabitants of the Kingsley House (now a historical museum), Ryan made use of old photographs, documents, and the occasional stroll around the family burial plot in gathering material for this quasi-fiction, amending and vivifying the scattered stories she’d heard about her ancestors. Divided into chronological sections, with each branch of the family tree getting no more than a year, her account begins in 1844 as Mary and Nathan Kingsley are settling into married life. Mary is pregnant with her first child, Nathan is working the fields of their farm, and both are enjoying the prim grandeur of the house he built for his new bride. Into the gentle optimism of the couple’s days comes a runaway seeking shelter. Viewed through Mary’s eyes, the incident bares the horror of a plantation slave’s shackled life. The narrative picks up 19 years later, focusing on the sly exploits of Nathan and Mary’s son, Horace, as he helps phony spiritualists dupe the residents of Livonia who are grieving the loss of native sons in the Civil War. Horace raises his ugly head throughout the work, cheating neighbors, trying to commit his wife to an asylum, attempting to steal Kingsley House from his sister, outliving many of his own children and other family members while casting an evil shadow over the house he was raised in. A diphtheria epidemic, the sweet union of two teenagers who become lifelong mates, and a final romance between a shy schoolmarm and an adventurer after WWII are just some of the stories contained within a long narrative made compelling by a large cast of lovingly rendered characters. Though she occasionally stumbles with odd attempts at colloquialism (“Snipes, you miserable toady”), Ryan generally avoids the weightiness that can mar this genre.

An admirable first effort.

Pub Date: April 1, 2000

ISBN: 0-312-24209-3

Page Count: 432

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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