An admirable first effort.
A debut historical, spanning 150 years of small-town Michigan life, that smoothly incorporates the growth of America into
the lives of its characters. A descendant of the builders and subsequent inhabitants of the Kingsley House (now a historical museum), Ryan made use of old photographs, documents, and the occasional stroll around the family burial plot in gathering material for this quasi-fiction, amending and vivifying the scattered stories she’d heard about her ancestors. Divided into chronological sections, with each branch of the family tree getting no more than a year, her account begins in 1844 as Mary and Nathan Kingsley are settling into married life. Mary is pregnant with her first child, Nathan is working the fields of their farm, and both are enjoying the prim grandeur of the house he built for his new bride. Into the gentle optimism of the couple’s days comes a runaway seeking shelter. Viewed through Mary’s eyes, the incident bares the horror of a plantation slave’s shackled life. The narrative picks up 19 years later, focusing on the sly exploits of Nathan and Mary’s son, Horace, as he helps phony spiritualists dupe the residents of Livonia who are grieving the loss of native sons in the Civil War. Horace raises his ugly head throughout the work, cheating neighbors, trying to commit his wife to an asylum, attempting to steal Kingsley House from his sister, outliving many of his own children and other family members while casting an evil shadow over the house he was raised in. A diphtheria epidemic, the sweet union of two teenagers who become lifelong mates, and a final romance between a shy schoolmarm and an adventurer after WWII are just some of the stories contained within a long narrative made compelling by a large cast of lovingly rendered characters. Though she occasionally stumbles with odd attempts at colloquialism (“Snipes, you miserable toady”), Ryan generally avoids the weightiness that can mar this genre.
An admirable first effort.Pub Date: April 1, 2000
ISBN: 0-312-24209-3
Page Count: 432
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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