by Arnold Adoff & illustrated by Catherine Deeter ‧ RELEASE DATE: April 1, 2000
A touching story about two girls, two dogs, and the way in which the girls deal with the deaths of their beloved pets. Inspired by the death of his own pet, Adoff (Touch the Poem, see below, etc.) tells the story of Pepper and Belle, best friends who live in neighboring houses out in the country. The girls and their dogs, Rex and Ethel, are all close, spending most of their free time together. One day, during a hot, hot summer, Belle and Pepper look for their pets in the backyard and find that both dogs (now quite old) have died peacefully. The families jointly hold a solemn funeral, and the dogs are buried together under a beautiful tree. The next day Pepper and Belle start working on a living tribute, which they dub “The Rex and Ethel Memorial Rest Stop,” a sanctuary for all the animals in the neighborhood. The relationships between the two girls, between the girls and the dogs, and between the dogs themselves are well-drawn and affecting. Although the story has the girls bouncing back awfully quickly (they look positively cheerful the day following the deaths), there is no question that the bond these girls had with their pets was very special. The book is written in Adoff’s “shaped speech” style, a technique of writing that’s halfway between poetry and prose, using a wide variety of spacing between words, and indentations in the margins to further the meaning of the story. The illustrations are uneven—while the faces of the girls are wooden, with glazed-over eyes and unnatural expressions, the landscapes are evocative and interesting. A useful book for when a pet (or a person) dies, especially for those who feel that taking some sort of positive action has a healing effect. (Picture book. 5-8)
Pub Date: April 1, 2000
ISBN: 0-15-266367-3
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2000
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by Robert Louis Stevenson & illustrated by Daniel Kirk ‧ RELEASE DATE: Aug. 1, 2005
Echoing Ashley Wolff’s 1988 approach to Stevenson’s poetic tribute to the power of imagination, Kirk begins with neatly drawn scenes of a child in a playroom, assembling large wooden blocks into, “A kirk and a mill and a palace beside, / And a harbor as well where my vessels may ride.” All of these acquire grand architectural details and toy-like inhabitants as the pages turn, until at last the narrator declares, “Now I have done with it, down let it go!” In a final twist, the young city-builder is shown running outside, into a well-kept residential neighborhood in which all the houses except his have been transformed into piles of blocks. Not much to choose between the two interpretations, but it’s a poem that every child should have an opportunity to know. (Picture book/poetry. 5-7)
Pub Date: Aug. 1, 2005
ISBN: 0-689-86964-9
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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by Kevin Young ; illustrated by Chioma Ebinama ‧ RELEASE DATE: March 15, 2022
A charming exploration of children’s special relationship with nature.
The story of a young Black boy who “fell in love with a field.”
The book opens with a peaceful scene of Emile sitting in a field overrun with wildflowers of various colors. This is his favorite haunt, where he and his little black dog spend countless hours undisturbed, daydreaming and communing with blossoms and insects. Emile—who often whispers lovingly to the field and regards it as a sentient companion—reflects on all the things the field will never get to experience. Although the field knows the four seasons and “how many stars / there were / and just how far,” it will never get to see the sea and skyscrapers. When winter comes and snow covers the field, Emile worries, wondering where the field goes when it disappears. And when some noisy children invade the field to sled and build snowpals, Emile hates that he has to share his beloved sanctuary, until his dad teaches him that love is not about possession but appreciation. Although some readers may pause at the unconventional punctuation, Young’s gentle, sparely worded narrative endearingly captures the animistic, magical thinking of children and the joy of tranquil childhood hours spent in nature. The impressionistic, atmospheric artwork—rendered in watercolor and ink—underscores the dreamy, spontaneous nature of Emile’s outdoor adventures and features open compositions that create a sense of expansiveness. All characters present Black except one White background character.
A charming exploration of children’s special relationship with nature. (Picture book. 5-8)Pub Date: March 15, 2022
ISBN: 978-1-984850-42-3
Page Count: 32
Publisher: Make Me a World
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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