In these entertaining tales, “gods and godmen” come in for some serious ribbing.

OF GODS, HUMANS AND BEASTS

A collection offers religious short stories with unconventional elements.

“This is a true story,” Wishman writes at one point in his work. “It is not nice to tell true stories about dead men, I know. With gods and godmen, it is different.” This twofold tone—of straight-faced reserve and a certain no-holds-barred approach—runs throughout the book, which is a mixture of tales revolving around various religious themes. A Hindu man is mistaken for a Christian in “How Jesus Saved Mrs. Frankson,” for instance. And in “How Supreme Court Played Spoil-sport,” a Hindu man named Krishan Sharma is urged to convert to Christianity in stark, fundamentalist terms: “Believe me, Mr. Sharma, this is the time for you to accept Him. He mounted the cross to save you. Don’t you see the signs?” These modern-day stories are counterbalanced with tales drawn from various religious texts and rewritten in a decidedly contemporary idiom. One of these stories, for instance, is the Old Testament tale of King David and Absalom and Ahitophel. “Weeping like a coward,” David fled to Mount of Olives, “making arrangements for spies to be stationed in Absalom’s house,” the author writes. “God was indeed tantalized, but had not forgotten the dirty trick He had reserved for David.” This note of wry irreverence is most prominently on display in “Sweet Balls for a Man-God,” which touches on the famous religious figure Sathya Sai Baba. But that tone is omnipresent in the text and the footnotes that often accompany the tales. Wishman is a smoothly talented storyteller with a sharp eye for the hypocrisies and absurdities that so often accompany even the most devotional tales. Devoutly religious readers may feel a low simmer of outrage as the pages turn. But those who have ever been disillusioned by their own faiths or the beliefs of others will be eagerly reading these stories.

In these entertaining tales, “gods and godmen” come in for some serious ribbing.

Pub Date: June 17, 2020

ISBN: 978-1-5320-9738-6

Page Count: 280

Publisher: iUniverse

Review Posted Online: Oct. 20, 2020

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Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.

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OUR MISSING HEARTS

In a dystopian near future, art battles back against fear.

Ng’s first two novels—her arresting debut, Everything I Never Told You (2014), and devastating follow-up, Little Fires Everywhere (2017)—provided an insightful, empathetic perspective on America as it is. Her equally sensitive, nuanced, and vividly drawn latest effort, set in a dystopian near future in which Asian Americans are regarded with scorn and mistrust by the government and their neighbors, offers a frightening portrait of what it might become. The novel’s young protagonist, Bird, was 9 when his mother—without explanation—left him and his father; his father destroyed every sign of her. Now, when Bird is 12, a letter arrives. Because it is addressed to “Bird,” he knows it's from his mother. For three years, he has had to answer to his given name, Noah; repeat that he and his father no longer have anything to do with his mother; try not to attract attention; and endure classmates calling his mother a traitor. None of it makes sense to Bird until his one friend, Sadie, fills him in: His mother, the child of Chinese immigrants, wrote a poem that had improbably become a rallying cry for those protesting PACT—the Preserving American Culture and Traditions Act—a law that had helped end the Crisis 10 years before, ushering in an era in which violent economic protests had become vanishingly rare, but fear and suspicion, especially for persons of Asian origin, reigned. One of the Pillars of PACT—“Protects children from environments espousing harmful views”—had been the pretext for Sadie’s removal from her parents, who had sought to expose PACT’s cruelties and, Bird begins to understand, had prompted his own mother’s decision to leave. His mother's letter launches him on an odyssey to locate her, to listen and to learn. From the very first page of this thoroughly engrossing and deeply moving novel, Bird’s story takes wing. Taut and terrifying, Ng’s cautionary tale transports us into an American tomorrow that is all too easy to imagine—and persuasively posits that the antidotes to fear and suspicion are empathy and love.

Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.

Pub Date: Oct. 4, 2022

ISBN: 978-0-593-49254-3

Page Count: 352

Publisher: Penguin Press

Review Posted Online: Aug. 2, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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DEMON COPPERHEAD

Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 14, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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