An overly complicated thriller about a flawed hero dealng with a mysterious mobster.

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Pivotal Velocity

From the Black Ops Zulu series , Vol. 1

A fraud investigator strives to protect his family after he is blackmailed and drawn into a criminal underworld.

This debut novel introduces the character of Tom Stiles, a fraud investigator with a seemingly happy home life in Australia, including a longtime girlfriend named Victoria and two children. Yet, he seeks adrenaline and adventure by volunteering as a firefighter during the summer—and by indulging in clandestine affairs, still trying to erase the memory of Helen, his dead wife and the mother of his children (“He had been searching for something, anything, to assuage the loneliness he felt. He did not feel practiced in love the way Vic was, there was always some cold hard place in him, bullet shaped he imagined, that resisted obligation”). Unfortunately, when one of his lovers is killed in a car crash while they’re together, it turns out that her father, Vladimir Mikula, is a member of the Chechen mob. Vlad blackmails Tom about the affair and attempts to force the investigator to steal a valuable package for him. In the midst of all this, the prime minister names Tom as the chairman of an international task force on fraud, which, though he accepts, he finds suspicious; why did the leader insist on him? Who is Vlad really working for? And how much does Victoria know about Tom’s affairs? Soon, Tom must try to keep his family safe as he is drawn in over his head. Bozikas has concocted a compelling story idea; the concept of a hero trying to resist his base side as he fights the bad guys is entertaining. Unfortunately, all of the characters seem too thinly drawn for readers to feel invested. The writing relies too often on “telling” rather than “showing”; there are too many lines like “He had lost his parents when he was a child and that pain defined him” that state outright story elements that could unfold more naturally. The plot tries to juggle too many suspenseful elements for its own good, and the twists near the end seem tacked on rather than organic to the tale. The novel is left open-ended to continue Tom’s adventures as a series—focusing more on character development rather than plot twists would serve the author well in future installments.

An overly complicated thriller about a flawed hero dealng with a mysterious mobster.

Pub Date: Feb. 18, 2015

ISBN: N/A

Page Count: 221

Publisher: Australian eBook Publisher

Review Posted Online: May 18, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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