Lovers of Lassie, Come Home should be forewarned—but more adventurous readers may find Bradford’s uniquely daring and...
If you’re an admirer of David Lynch movies, you won’t want to miss this surpassingly bizarre debut collection—the work of a young Virginia writer and (as it happens) filmmaker.
It takes its time getting to you. A few of the 12 “stories” are little more than in-your-face fragments: “The Texas School for the Blind” and “South for the Winter,” for example, seem to be ideas left insufficiently developed. But even in the fuller narratives, Bradford’s unnamed first-person narrators are misfits without visible means of support or discernible moral natures—like the slacker protagonist of “Catface,” who passively relates his mistreatment by a succession of grand mal–eccentric apartment mates; or the just-barely-bemused visitor to “The House of Alan Matthews,” where a dope dealer keeps an acquaintance locked in a crawlspace. Stories in which Bradford gives his deranged imagination room to roam about are invariably better: a lurid cautionary tale about an intemperate loner (“Bill McQuill”) who lives too close to the railroad tracks; a Harry Crews–like yarn in which a dimwitted “practitioner . . . of chainsaw tricks” meets the masochist of his dreams; and “Roslyn’s Dog,” a dark and perfectly controlled fable of captivity and metamorphosis. Man’s best friend in fact pads confidently throughout Bradford’s cartoonlike lunar landscapes—nowhere more memorably than in the collection’s pièce de résistance “Dogs,” which begins when its narrator cheats on his girlfriend with her bitch (yes, literally), and gathers to its monstrous bosom a singing “muskrat,” a pregnant woman in an iron lung, and a canine barbershop quartet, the whole coalescing into a frenzied parable of paternity and unbelonging that’s one of the most eerily original American stories to come down the pike since the heyday of Flannery O’Connor.
Lovers of Lassie, Come Home should be forewarned—but more adventurous readers may find Bradford’s uniquely daring and provocative stories well worth their attention. (His first film, How’s Your News?, is scheduled to air on HBO this summer.)Pub Date: Aug. 24, 2001
ISBN: 0-375-41232-8
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
BOOK REVIEW
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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