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BAMFORD LUCK

The sturdy prose can defend against weak storytelling and characterizations.

After members of an Asian drug gang kill his parents, an Idaho rancher calls on his military training to get revenge.

Clay Bamford, 28, works on his parents’ Idaho ranch, which has been in the family since the 1850s. He says goodbye to his mother and father, who take off in their RV for a trip to Seattle. Once there, however, they are set upon and killed by members of the Asian drug gang run by Luong An Chie’n. When the Seattle police aren’t able to arrest the perps, Clay decides to take matters into his own hands. A former U.S. Army soldier who now does secret intelligence work for the government, he accesses the Seattle PD’s files and determines who is probably responsible for the murders. He travels to Seattle, uses a disguise to infiltrate the gang’s headquarters, then enacts a carefully thought-out plan to sow dissension among Luong’s ranks, setting gang member against gang member—activities that eventually bring him to the attention of the Seattle PD. All the while, he’s able to find the time to continue working on his family ranch, moonlight with his government hacking activities, and even romance a beautiful grad student, Jennie Mae Johansson. As a hero, Clay is a little too good to be true; he’s kind of like Lee Child’s Jack Reacher if Reacher had been raised on an Idaho ranch and was also a genius at breaking into computer networks. The fact that Clay is so resourceful mitigates all suspense, since the outcome of any villainous confrontation is never in doubt. The book is also awkwardly structured. In the last third, Clay’s vendetta against Luong and his Asian drug gang gives way to a lengthy depiction of his impending nuptials. Readers will wait for the other part to kick back in, but, sadly, it never does, leading to a limp ending.

The sturdy prose can defend against weak storytelling and characterizations.

Pub Date: Feb. 27, 2015

ISBN: 978-1-4917-6141-0

Page Count: 262

Publisher: iUniverse

Review Posted Online: Dec. 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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