THE ETCHER'S STUDIO

Aimed at readers of Douglas Florian's A Potter (1991) and A Painter (1993), and with just enough detail to hint at etching's challenges and possibilities, Geisert (Roman Numerals: I to MM, 1996, etc.) takes an opportunity to showcase nautical and jungle scenes as well as his more familiar rural views and pigs. A young narrator works with his grandfather in a spacious loft, printing and hand-coloring an array of etchings for a sale. As a book illustrator specializing in this 500-year-old technique, Geisert makes the perfect guide. The furniture and equipment depicted in the full-page and double-page etchings are modeled on his own, and the feelings at several stages of production—from the anxiety of properly timing the printing plate's acid bath to the daydream-inducing tedium of hand- coloring—are unmistakably based on personal experience. A labeled view of the studio precedes a final spread showing each step in an etching's creation. (Picture book. 5-7)