A high-finance novel that bogs down in deals, meals, and spinning its wheels.



From the Buying Brazil Trilogy series , Vol. 1

In this Brazil-set financial thriller, a British merchant banker tries to broker a delicate telecom deal.

After decades of military rule, Brazil began a process of redemocratization in 1985. In the late 1990s, its government began to open up the economy to privatization. Englishman Carlton “Carl” Matthews, 45, is the senior vice president of acquisitions for American company Laser Telecom (sometimes spelled “Lazer” in the text), which wants to go global. To that end, Carl is in São Paulo to acquire BrasTel, the state-owned telecommunications company. With him is business partner Robin Stephens, 40, who understands the nitty-gritty of dealmaking, and the boss’ son, Skip Watson, who, at 26, is more interested in chasing women than doing business. It’s a touchy deal, and several people warn Carl that he needs to understand the “real Brazil” to carry it out. Sure enough, complications ensue; for example, military factions are still in play in the government, with the most powerful figure being Gen. Ignacio Aranni. His ward, Alana, a beautiful young woman, takes a romantic interest in Carl, who’s besotted with her immediately. As various international players move their chess pieces in this high-stakes game, Carl must avoid danger while putting together the deal of his life—one that will leave him richer than ever. Debut author Rawl, CEO of Rawl & Associates, comes from the high-finance world he describes, and he provides much authentic detail in describing the complications of international dealmaking. The density of these details, however, will offer little excitement to most readers: “The base case and the downside models have one of the risk factors tied to the Morgan index.” The book brings a similar due-diligence attitude to every meal, lingering on food, wine, and cigar choices in ways that don’t advance plot or reveal character. These longueurs make the book a slow read despite some dramatic episodes of violence or sex. The ending is unresolved, but Rawl promises more installments of a planned series.

A high-finance novel that bogs down in deals, meals, and spinning its wheels.

Pub Date: April 3, 2017


Page Count: 553

Publisher: Rawl and Associates

Review Posted Online: April 17, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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