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THE CYCLES OF AMERICAN HISTORY

Schlesinger's first book since his National Book Award-winning Robert Kennedy and His Times, this one exploring the grand themes which he sees weaving their way through American History. The two-time Pulitzer Prize-winner sees themes in contention over the meaning of America. The first, which he calls "the tradition," sprang from Christianity "as mediated by Augustine and Calvin." This strand made of the American experience an "implacable process of testing." As Schlesinger puts it. "Antiquity haunted the federal imagination." The second strand, termed "the counter tradition," also had roots in Calvinism and was represented in an emergent spirit of national destiny. Ever since our earliest history, Schlesinger suggests, our society has pitted realism against messianism, experiment against destiny. Pragmatically, this contention has resulted in alternating periods of reform and retrenchment. Schlesinger, mirroring the writings of economist Albert Hirschman, refers to these as periods of private interest and public purpose. Up to this point, Schlesinger's book appears to be Olympian in its objectivity. He is speaking as the aging historian emeritus who has earned the right to philosophize. However, suddenly the rest of the book degenerates into a slapdash (the book is actually a collection of updated, previously published essays) compendium of political writings aimed at demonstrating, for the most part, his own suspicion of the private-interest periods and his attraction to public purpose governments. He attempts, somewhat weakly, to demolish the idea that America's economic development was a direct result of the spirit of laissez-faire. The Founding Fathers, he states, were basically mercantilists who recognized the need for strong state action; Adam Smith, far from reflecting their ideals, actually wrote The Wealth of Nations to refute them. Undeniably a worthy and important work, if one keeps a wary eye out for the political bias.

Pub Date: Oct. 24, 1986

ISBN: 0395957931

Page Count: 516

Publisher: Houghton Mifflin

Review Posted Online: May 22, 2012

Kirkus Reviews Issue: Sept. 15, 1986

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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