by Artie Van Why ‧ RELEASE DATE: Aug. 22, 2018
A candid 9/11 account that deftly focuses on those who are still grappling with the tragedy’s challenges.
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A collection of writings from a 9/11 survivor recalls not only the horror of that day, but also the trauma that followed months and even years after.
In this compilation of new material, blogs for the HuffPost, and Van Why’s (That Day in September, 2006) previous memoir, the author speaks not just about what he witnessed on 9/11, but the strife felt by him and others who lived through it as well. Working on Church Street, a mere stone’s throw from the World Trade Center, Van Why offers a firsthand account of both plane crashes, the strength of the urge to flee, and the desire to help those who fell in the street even before the buildings collapsed. Sharing these experiences with loved ones in emails, the author was encouraged by friends and family to continue to write about the event. At first, he penned a play, then adapted it, and he continued to produce prose. This collection examines a myriad of subjects relating to the tragedy along with Van Why’s own struggles with PTSD, as each anniversary, the death of Osama bin Laden, and visits to the 9/11 memorial stirred up feelings that were far from buried. Other survivors’ stories are shared as well as physical ailments caused by the toxins released that day. Van Why’s writings are intimate, particularly in capturing the drama of 9/11, recounting a surreal picture of streets littered with snowlike falling paper and the smell of the air, which the author realized was made up of not just burning jet fuel or building materials, but also “among those particles going down into my lungs were those of burnt human remains.” It is a shocking but necessary honesty, illustrating what so many survivors will carry the rest of their lives. Van Why’s play, which would become the basis for his first memoir, is discussed at some length. While writing about writing can become tedious, the insights revealed when audiences approached to divulge their own experiences—“Everyone has a story of 9/11”—make for a strong payoff.
A candid 9/11 account that deftly focuses on those who are still grappling with the tragedy’s challenges.Pub Date: Aug. 22, 2018
ISBN: 978-1-4834-8980-3
Page Count: 200
Publisher: Lulu
Review Posted Online: Nov. 7, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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