Superhero fans won’t be surprised once, but they’ll laugh many times.

SUPER POTATO'S MEGA TIME-TRAVEL ADVENTURE

From the Super Potato series , Vol. 3

Superhero stories can easily break your heart.

Batman has never found lasting love, and Bruce Banner has never been able to prevent himself from turning into the Hulk. In the third Super Potato graphic novel, the hero has a chance to go back in time and avoid the tragic circumstances that changed him into a potato in the first place. He’s clearly doomed to fail, but he proves that he’s not afraid of a time paradox. A group of scientists gives him access to a device called the small-time machine, teaching readers about the importance of hyphens. But he’s distracted by mutant sewer reptile Archibald the Scaly and by his first ever love interest, Olivia Olson, who, in comic-book tradition, is immediately kidnapped. The artwork is as charmingly eccentric as ever. The characters look like the Rugrats, if the Rugrats had grown up to be superheroes and mad scientists. The new book doesn’t add much diversity to the very white cast, but one of the scientists is a tall black woman. The jokes are slightly better than in the first two books, though, even if the humor relies a bit too much on vomit jokes. No spoilers are required. Super Potato doesn’t change his destiny or get the girl. But “the girl” is snarky enough to make readers love her, too.

Superhero fans won’t be surprised once, but they’ll laugh many times. (Graphic humor. 7-11)

Pub Date: Aug. 6, 2019

ISBN: 978-1-5415-7287-4

Page Count: 56

Publisher: Graphic Universe

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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What a wag.

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DOG MAN

From the Dog Man series , Vol. 1

What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Man comics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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