Uneven but sometimes highly interesting, it serves as a window onto the foster-care system. (Memoir. 12 & up)

READ REVIEW

THREE MORE WORDS

This memoir serves as a sequel to the author’s Three Little Words (2008), which chronicled her experiences as a foster child in Florida. Now, she writes of her experiences as a foster parent.

Rhodes-Courter survived horrendous experiences as a foster child, finally finding refuge with new adoptive parents. College high jinks give way to marriage to Erick, who sticks with her for years as she finally learns she can accept the love and stability he offers her. After her marriage, she struggles with weight problems common to ex-foster children, completes a college degree, and becomes a motivational speaker on child-welfare issues. She and Erick decide to become foster parents themselves, and she describes a series of children they take into their home. These children are in serious need of the love and attention the author and her husband give them. Nevertheless, they must deal with the Florida foster-care system, which the author declares may be even worse than when she was trapped in it as a child. The book bogs down a bit in the earlier segments, when the author writes about her own struggles, but picks up speed with her vivid descriptions of her experiences with her foster children.

Uneven but sometimes highly interesting, it serves as a window onto the foster-care system. (Memoir. 12 & up)

Pub Date: June 30, 2015

ISBN: 978-1-4814-1557-6

Page Count: 320

Publisher: Atheneum

Review Posted Online: June 16, 2015

Did you like this book?

No Comments Yet

This story is necessary. This story is important.

Reader Votes

  • Readers Vote
  • 21

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • Kirkus Prize
  • Kirkus Prize
    finalist

  • New York Times Bestseller

  • IndieBound Bestseller

THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

Did you like this book?

Engrossing, contemplative, and as heart-wrenching as the title promises.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

more