Rather diffuse but thoroughly grounded in documented fact—as a result, it packs all the frightening power of a good horror...
A chilling descent into the mind of mass murderer Anders Breivik.
“It was only supposed to be an article for Newsweek,” writes veteran combat journalist Seierstad (The Angel of Grozny: Orphans of a Forgotten War, 2008, etc.) of the origins of this long book—a touch too long, in need of some judicious streamlining. The long arm of editor Tina Brown drew Seierstad deep into a story that she’d watched unfold in her native Norway, a country about which she hadn’t written before. Her explorations of Breivik, who coldly gunned down 69 people at a youth summer camp after setting off a bomb in Oslo that killed another 8, have the unsettling quality that readers will associate with novelist Stieg Larsson, whose investigative reporting in next-door Sweden turned up a deep-running vein of fanatical right-wing hatreds and xenophobia. In Breivik’s case, the metamorphosis from gadabout to obsessive computer gamer and then unmoored killer has no sure inevitability. It could have turned out much differently, but it also might just have had to happen, as Seierstad’s portentous opening pages suggest. As neatly as possible, given the complexity of the story, the author unfolds the narrative of a Kurdish refugee family with Breivik’s developing anti-Muslim sentiments, seemingly connected with the publication of a fake manifesto promising a Scandinavian jihad. Fakery and invented scenarios form a theme, from forged diplomas to Breivik’s certainty that the Marxists were out to get him. What is certain, however, is that his killing spree, described in gruesome detail, was thoroughly and carefully planned from the beginning. On being told that he had disrupted the sense of security that blanketed the quiet nation, Breivik smiled and said, “That’s what they call terror, isn’t it?"
Rather diffuse but thoroughly grounded in documented fact—as a result, it packs all the frightening power of a good horror novel.Pub Date: April 21, 2015
ISBN: 978-0-374-27789-5
Page Count: 552
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 3, 2015
Kirkus Reviews Issue: Feb. 15, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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