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GRIMSTONES

A pleasantly gothic pleaser for fans of Unfortunate Events.

In nine chatty letters, young Martha Grimstone introduces her peculiar family, describes the creation and hatching of three-legged little brother Crumpet, and fervently urges readers to write back.

This epistolary narrative has been spun off from a puppet performance and comes with inset photos of Tim Burton–style papier-mâché puppets in elaborately crafted antique settings and animations that range from a circling ring of quail to words that drop to the bottom of the page with a crash. There are also several full-screen interludes in which Martha—moving and gesturing like a marionette—beckons eerily to viewers, dumps potion ingredients into a pot or has a tap-activated exchange with her alchemist grandfather Elcho. She chattily shares hopes and dreams (“You never know, one day I could be the Lady of the Strongest Intestines in the Whole World”) as well as a string of domestic disasters or oddball incidents. In doing so, she repeatedly invites her readers to respond. Responses might in fact be mandatory; in one setting, each letter after the first is locked until the day after an answering letter is composed on a preformatted "Write Back" page. This can be toggled so that Martha writes regardless of readers' correspondence habits. There is no audio narration, but the app is supplied with sound effects and an optional background piano track.

A pleasantly gothic pleaser for fans of Unfortunate Events. (series website) (iPad storybook app. 8-11)

Pub Date: Dec. 1, 2013

ISBN: N/A

Page Count: -

Publisher: X Asphyxia

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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1001 BEES

Friends of these pollinators will be best served elsewhere.

This book is buzzing with trivia.

Follow a swarm of bees as they leave a beekeeper’s apiary in search of a new home. As the scout bees traverse the fields, readers are provided with a potpourri of facts and statements about bees. The information is scattered—much like the scout bees—and as a result, both the nominal plot and informational content are tissue-thin. There are some interesting facts throughout the book, but many pieces of trivia are too, well trivial, to prove useful. For example, as the bees travel, readers learn that “onion flowers are round and fluffy” and “fennel is a plant that is used in cooking.” Other facts are oversimplified and as a result are not accurate. For example, monofloral honey is defined as “made by bees who visit just one kind of flower” with no acknowledgment of the fact that bees may range widely, and swarm activity is described as a springtime event, when it can also occur in summer and early fall. The information in the book, such as species identification and measurement units, is directed toward British readers. The flat, thin-lined artwork does little to enhance the story, but an “I spy” game challenging readers to find a specific bee throughout is amusing.

Friends of these pollinators will be best served elsewhere. (Informational picture book. 8-10)

Pub Date: May 18, 2021

ISBN: 978-0-500-65265-7

Page Count: 32

Publisher: Thames & Hudson

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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