by Atwood Cutting ‧ RELEASE DATE: April 6, 2018
An intriguing, sometimes-thrilling account of remote Alaskan life in 1979.
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A writer recounts a particularly difficult year for her parents homesteading in the Alaskan wilderness in this memoir.
For Cutting’s (Where the Moose Slept, 2017, etc.) free-spirited parents, Tim and Kate Peters, their rugged life on Alaska’s Kenai Peninsula was worth it for the beauty that surrounded them. Sure, they might have to travel hours for every amenity and labor for every comfort, but it allowed them to raise their infant daughter (the author) on a mountain with panoramic views, amid fields of wildflowers and alder forests where moose slept. This second volume of Cutting’s ongoing account of her family’s time in Alaska depicts one year when the remoteness of their home put particular pressures on the Peters household. The summer of 1979 was tricky enough. The author relates the time her mother was surprised to come home to find a man standing in their kitchen wielding a large hunting knife and describes a brush fire that nearly engulfed the property. While this was all going on, Cutting’s parents were racing to insulate and furnish their newly built house for the approaching cold. With their only neighbors away for the winter, the couple was forced to deal with mounting snow, impassable roads, cabin fever, and unexpected illness—trials that put their love of Alaska to the ultimate test. Cutting writes in a simple, understated prose that communicates the dire straits of her family while also downplaying its fears: “Kate watched as the raking whiteness howled past. She and her infant companion huddled together, listening apathetically to the perverse winds.” The author, who was a baby at the time, has fashioned the narrative from her parents’ recollections and her mother’s letters, many of which are included in the text. The sequel, which features family photographs, does not attempt to play up the drama, nor does it really investigate either Tim or Kate as complex characters. Rather, its goal is to present the day-to-day demands of living in a harsh climate far from the niceties of civilization. For those interested in feats of hard work and ingenuity at the edge of the world, the book delivers nicely.
An intriguing, sometimes-thrilling account of remote Alaskan life in 1979.Pub Date: April 6, 2018
ISBN: 978-0-9995061-9-6
Page Count: 294
Publisher: Echo Hill Arts Press, LLC
Review Posted Online: May 28, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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