Interesting enough but not particularly impactful.
Discover the lost genius of Maria Anna Mozart.
Ades and Lirius’ picture-book biography tells the story of the older sister of great classical music composer and pianist Wolfgang Amadeus Mozart. Maria, nicknamed Nannerl, narrates the story, recounting how her musical family life inspired her early longing to make music. During her childhood, her father taught her to play the harpsichord. She explains that “Wolfgang always wanted to do everything I did, so Papa taught him, too.” Both children showed prodigious aptitude and spent years performing across Europe. However, the custom of the time precluded women from public performance, never mind musical composition, so as Nannerl grew older, her father arranged for her to marry, bringing her short-lived music career to an end. Nevertheless, Nannerl’s passion for music never died. The book spends little time developing the relationships between its central characters, especially the complex one between Nannerl and her father, in reality not half so tyrannical a figure as the story makes him out to be. The narrative is rather limited in scope, omitting certain key aspects of Nannerl’s biography. The prose is lyrical in its simplicity but otherwise unremarkable; the gouache and digital illustrations, however, are sublime, painted in delicate shades with whimsical touches and flowing floral scroll motifs. The backmatter explains that some liberties were taken in creating this work of “creative nonfiction” and provides biographical and reference information, including a timeline and glossary. All characters are White.
Interesting enough but not particularly impactful. (Picture-book biography. 4-8)Pub Date: Feb. 22, 2022
ISBN: 978-0-374-31476-7
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 13, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
BOOK REVIEW
A striking visual representation of how the label “bad reader” can feel.
A slow reader gains confidence.
Strongly influenced by Talbott’s own childhood reading journey, a young tot with a mop of brown hair and pale skin loves art, but reading doesn’t come as naturally. Crayons and colored pencils create imaginative worlds, but the words on a page crowd together, forming an impenetrable wall, with the youngster barely able to peer over. The rest of the class seemingly soars ahead, turning page after page, but the books (in the protagonist’s mind) give chase, flying menacingly like a scene from Hitchcock: “And they were coming for me! / So many words! So many pages!” Talbott expertly captures the claustrophobic crush of unknown vocabulary, first as a downpour of squiggles from the sky, then as a gnarled, dark forest with words lining the branches. But reading slowly doesn’t mean not reading at all. The youngster learns to search for familiar words, using them as steppingstones. And there are advantages: “Slow readers savor the story!” There is even a “Slow Readers Hall of Fame” included, featuring Albert Einstein, Sojourner Truth, and many others. Talbott excels at evincing concepts visually, and this talent is in evidence here as his protagonist first struggles then gains mastery, surfing confidently down a wave of words. Patience and curiosity (along with some fierce determination) can unlock incredible stories. (This book was reviewed digitally.)
A striking visual representation of how the label “bad reader” can feel. (author's note) (Picture book. 4-8)Pub Date: Sept. 14, 2021
ISBN: 978-0-399-54871-0
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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