A disturbing yet thought-provoking tale of family strife and ethically unsound medical practice.

THE UNFIT HEIRESS

THE TRAGIC LIFE AND SCANDALOUS STERILIZATION OF ANN COOPER HEWITT

The shocking story of an heiress who was sterilized without her consent.

In 1936, Ann Cooper Hewitt, daughter of inventor Peter Cooper Hewitt and socialite Maryon Cooper Hewitt, sued her mother for $500,000. She alleged that Maryon conspired with Ann’s doctors to have her sterilized during a scheduled appendectomy in order to deprive Ann of her inheritance since Peter’s will stipulated that Ann’s share of his estate would revert back to her mother if Ann died childless. In this dramatic work of creative nonfiction, Farley focuses primarily on the lives of Maryon and Ann, exploring each of their abusive childhoods, subsequent relationships with men, and, particularly, how they were portrayed in the media. She also chronicles the trials of Maryon and her alleged accomplices and the estranged mother-daughter relationship at the heart of the story and weaves in bits of the history of eugenics. At the time of the trial, writes Farley, “many Americans didn’t know that tens of thousands of individuals had been sterilized in state institutions nationwide.” Due to the social status of the family, Americans from all walks of life followed the proceedings closely, stimulating conversations about medical ethics, especially the use of sterilization for population control and the ability of doctors to perform surgery “without written consent.” The author also sheds light on the number of sterilizations that have occurred more recently, either involuntarily or under false pretenses, in order to selectively control the population. She highlights both instances where federal funds have been used to sterilize low-income, Indigenous, incarcerated, and other marginalized women as well as related lawsuits and legislative amendments. Throughout, Farley maintains the focus on Ann and her family. While she does not provide a comprehensive discussion of eugenics, the eye-opening story of the family is a concrete example of lamentable policies that continue to shape the reproductive rights of women.

A disturbing yet thought-provoking tale of family strife and ethically unsound medical practice.

Pub Date: April 20, 2021

ISBN: 978-1-5387-5335-4

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Jan. 22, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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