Playful narration and amusing artwork will prompt readers to say, just like Edgar, “Again.” (Picture book. 2-6)
Baby Edgar’s first word (“NO!”) drives his sister crazy, especially since she waited so long to hear it.
Curly-headed Hazel, eager to share books and playtime with her lump of a brother, shines as a refreshing foil to the snarling older sibling whose resentment simmers in so many picture books these days. Hazel’s failed attempts to play school, store, farm, (or even to squeeze the “squeaky-honky-quacky duck”) with little Edgar evoke empathy from readers and a stream of NO!s from the tiny (but mighty) tot. Hand lettering makes Edgar’s NO!s seem LOUD even to a silent reader. After a whole day of insistent negativity (screeching scenes shown on crisp white pages), she’s about ready to give up on brother bonding. Mother manages to smile through spilled cereal, botched bathtime and even a loud library run, and fluid ink-and-watercolor illustrations offer lots of optimistic springtime colors (greens, yellows, purples), as well as a serene matte finish. Plucky, pitch-perfect kid vernacular keeps the story upbeat too, full of silly run-on descriptors; Hazel hopes that Edgar goes from a “pointing, grunting watermelon” to a “not-no-saying lamb of a ram.” Exhausted by his own naysaying, Edgar finds himself settled on Hazel’s lap for a bedtime read—and offers a second word that finally brings them together.
Playful narration and amusing artwork will prompt readers to say, just like Edgar, “Again.” (Picture book. 2-6)Pub Date: June 3, 2014
ISBN: 978-0-547-68462-8
Page Count: 32
Publisher: Clarion Books
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
So sweet it’ll have readers heading for their toothbrushes.
Another entry in the how-much-I-love-you genre.
The opening spread shows a blue elephant-and-child pair, the child atop the adult, white hearts arcing between their uplifted trunks: “You’re a gift and a blessing in every way. / I love you more each and every day.” From there, the adult elephant goes on to tell the child how they are loved more than all sorts of things, some rhyming better than others: “I love you more than all the spaghetti served in Rome, // and more than each and every dog loves her bone.” More than stars, fireflies, “all the languages spoken in the world,” “all the dancers that have ever twirled,” all the kisses ever given and miles ever driven, “all the adventures you have ahead,” and “all the peanut butter and jelly spread on bread!” Representative of all the world’s languages are “I love you” in several languages (with no pronunciation help): English, Sioux, French, German, Swahili, Spanish, Hawaiian, Chinese, and Arabic (these two last in Roman characters only). Bold colors and simple illustrations with no distracting details keep readers’ focus on the main ideas. Dashed lines give the artwork (and at least one word on every spread) the look of 2-D sewn toys.
So sweet it’ll have readers heading for their toothbrushes. (Picture book. 2-6)Pub Date: Dec. 4, 2018
ISBN: 978-1-4926-8398-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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