An uneven romance that is equal parts soap opera and modern fairytale.
Polanco’s (The Acquisition, 2016) sentimental melodrama follows bereaved mother Kate Connor and her unexpected relationship with the man involved in her son’s death.
After Kate recovers physically from a car accident that killed her son, Oliver, in New York, she retreats to Japan. Soon she receives a remorseful letter from Rey Aguilar, the man driving the car that killed Oliver. Rey is a Grammy-winning saxophonist and longtime bachelor who wants to donate money to a charity in Oliver’s name. Kate forgives Rey for his role in Oliver’s death, and they become pen pals, though Rey wants more. Kate simultaneously fields advances from Trevor Miles, a wealthy businessman. When Rey and Kate reunite in New York, their relationship deepens. Kate accepts a manager position at the Trevor Miles Gallery in New York, but her interactions with Miles turn problematic. After returning alone to Japan, Kate grapples with a life-altering circumstance. Back in New York, she tries to track down Rey, but he, too, has left the country believing her heart belongs to Trevor. Polanco certainly has a unique plot and demonstrates solid scene-setting: “Frustrated tourists huddled in cafés and tapas bars in an effort to be light and jovial as the rain-washed away their hopes of a sun-drenched holiday.” She also adequately captures a woman emerging from grief (Kate “no longer felt like a dead leaf floating in the air”). And telling the story from multiple third-person perspectives makes for a well-rounded account of events. But Polanco’s similes are weak, such as “her hair was like a waterfall of milk chocolate” or saying Kate felt “like Cinderella arriving at the ball.” Some readers may appreciate the saccharine nature of Kate and Rey’s interactions, but others will find sentiments like “he saw passion in her eyes and she raw emotion in his” as trite.
An uneven romance that is equal parts soap opera and modern fairytale.Pub Date: June 1, 2017
ISBN: 978-1-5434-2043-2
Page Count: 306
Publisher: Xlibris
Review Posted Online: April 14, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after...
Self-help advice and personal reflections on avoiding spousal fights while raising children.
Before her daughter was born, bestselling author Dunn (Why Is My Mother Getting a Tattoo?: And Other Questions I Wish I Never Had to Ask, 2009, etc.) enjoyed steady work and a happy marriage. However, once she became a mother, there never seemed to be enough time, sleep, and especially help from her husband. Little irritations became monumental obstacles between them, which led to major battles. Consequently, they turned to expensive couples' therapy to help them regain some peace in life. In a combination of memoir and advice that can be found in most couples' therapy self-help books, Dunn provides an inside look at her own vexing issues and the solutions she and her husband used to prevent them from appearing in divorce court. They struggled with age-old battles fought between men and women—e.g., frequency of sex, who does more housework, who should get up with the child in the middle of the night, why women need to have a clean house, why men need more alone time, and many more. What Dunn learned via therapy, talks with other parents, and research was that there is no perfect solution to the many dynamics that surface once couples become parents. But by using time-tested techniques, she and her husband learned to listen, show empathy, and adjust so that their former status as a happy couple could safely and peacefully morph into a happy family. Readers familiar with Dunn's honest and humorous writing will appreciate the behind-the-scenes look at her own semi-messy family life, and those who need guidance through the rough spots can glean advice while being entertained—all without spending lots of money on couples’ therapy.
A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after the birth of their child.Pub Date: March 21, 2017
ISBN: 978-0-316-26710-6
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Jan. 17, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.
Ruminations and reminiscences of an author—now in his 70s—about fatherhood, writing, and death.
O’Brien (July, July, 2002, etc.), who achieved considerable literary fame with both Going After Cacciato (1978) and The Things They Carried (1990), returns with an eclectic assembly of pieces that grow increasingly valedictory as the idea of mortality creeps in. (The title comes from the author’s uncertainty about his ability to assemble these pieces in a single volume.) He begins and ends with a letter: The initial one is to his first son (from 2003); the terminal one, to his two sons, both of whom are now teens (the present). Throughout the book, there are a number of recurring sections: “Home School” (lessons for his sons to accomplish), “The Magic Show” (about his long interest in magic), and “Pride” (about his feelings for his sons’ accomplishments). O’Brien also writes often about his own father. One literary figure emerges as almost a member of the family: Ernest Hemingway. The author loves Hemingway’s work (except when he doesn’t) and often gives his sons some of Papa’s most celebrated stories to read and think and write about. Near the end is a kind of stand-alone essay about Hemingway’s writings about war and death, which O’Brien realizes is Hemingway’s real subject. Other celebrated literary figures pop up in the text, including Elizabeth Bishop, Andrew Marvell, George Orwell, and Flannery O’Connor. Although O’Brien’s strong anti-war feelings are prominent throughout, his principal interest is fatherhood—specifically, at becoming a father later in his life and realizing that he will miss so much of his sons’ lives. He includes touching and amusing stories about his toddler sons, about the sadness he felt when his older son became a teen and began to distance himself, and about his anguish when his sons failed at something.
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.Pub Date: Oct. 14, 2019
ISBN: 978-0-618-03970-8
Page Count: 384
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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