by Aurelie Sheehan ‧ RELEASE DATE: Nov. 13, 2014
The writer's reach seems to exceed her grasp in stories that allude to more than actually happens.
A collection of interrelated stories, set in Arizona, that aspires to a mythic resonance.
Sheehan (Jewelry Box: A Collection of Histories, 2013, etc.) sets her fiction in Tucson (with the occasional glimpse toward Phoenix), where all of these stories and the characters within them seem like “part of a larger order,” though each also stands on its own. Sometimes it’s nothing more than the title—the opening “Olympus Falls,” the closing “Cerberus,” the pivotal “The Lotus Eaters”—that most strongly reinforces the mythic association. The first story introduces the reader to Zero, a man who, like a developer (or a god), “creates something from nothing, wealth from scratch.” He’s one of the few characters of means in a collection where the marginalized dominate. His wife has cancer, and he has an obsessive lust for a younger woman with “[a]n ass of mythological proportions.” In subsequent stories, that woman will become his mistress and even meet his wife, while the insatiable Zero will also commit something between a seduction and a sexual assault on his son’s first real girlfriend. Zero and his demimonde are nowhere to be found in other tales featuring minimum-wage restaurant workers, petty thieves at a car wash and a sorority girl experiencing her initiation into political activism. Geography and climate provide the common denominator: “[I]n Tucson, the sun is commander….The sun is everywhere, in every nook and cranny, and there is no nook or cranny left cool or dim.” It’s a land of “the lascivious heat of spring” and where, too often, “marriage is but a mirage on the horizon.”
The writer's reach seems to exceed her grasp in stories that allude to more than actually happens.Pub Date: Nov. 13, 2014
ISBN: 978-0-8165-3110-3
Page Count: 160
Publisher: Univ. of Arizona
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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PROFILES
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by John Steinbeck ‧ RELEASE DATE: Feb. 26, 1936
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
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by John Steinbeck & edited by Thomas E. Barden
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by John Steinbeck & edited by Robert DeMott
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by John Steinbeck & edited by Susan Shillinglaw & Jackson J. Benson
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