BLACKWATER FALLS

Xenophobia and greed foment violence and corruption in a small mountain town.

Racial tension runs high in Blackwater Falls, Colorado, thanks to the evangelical, anti-immigrant Resurrection Church and its “outreach branch” of motorcycle-riding vigilantes dubbed the Disciples. Members of minority groups have filed multiple complaints against Resurrection crony Sheriff Addison Grant and his like-minded deputies, so when the corpse of 16-year-old Syrian refugee Razan Elkader is found stripped of her hijab and nailed to the door of her local mosque in a “gruesome emulation of the Crucifixion,” the Denver Police Department’s Community Response Unit takes over the investigation. Led by Lt. Waqas Seif, the CRU’s mandate is to provide accountability and transparency to overpoliced communities. Seif taps Det. Inaya Rahman to run point; though she, her parents, and her younger sisters only moved to the area six months ago, the Rahmans worship at the Blackwater mosque, and Inaya has prior experience working homicide. With help from Det. Catalina Hernandez and civil rights attorney Areesha Adams, Inaya probes Razan’s murder while searching for two missing Somali girls whom Grant previously dismissed as runaways. Seif pushes back on efforts to implicate Grant, prompting Inaya to question his allegiance. Khan’s third-person narrative unfolds largely from Inaya’s perspective, detailing her struggles to reconcile her faith with the realities of her law enforcement career. Occasional chapters from Seif’s POV add context and heighten tension. The mystery’s denouement is convoluted, and the supporting cast is studded with stereotypes, blunting the tale’s impact, but Inaya is a complex, compassionate protagonist perfectly poised to helm a new series challenging the outmoded conventions of police procedurals.

A timely, nuanced take on a staid formula.