A debut collection of linked stories that provides a comprehensive history of a troubled American family. The Goodpastures are the sort of people often thought to be rich just because they—ve been around. Old-style Wasps, they—re actually quite modest in tastes and means. But there’s a fissure of unhappiness running through the family, and a trust fund is needed to break it open: when a shady Florida lawyer swindles them, Stuart Goodpasture goes down to Jacksonville to investigate—and falls in love with Muriel, a born-again Christian. She converts Stuart, who then divorces his wife, marries her, and patches together an elaborate scheme to invest the remainder of his children’s money in a new hospital wing at Oral Roberts University. His children—Stuart, Jr., Brian, Jay, and Moriah—feel betrayed, both by the divorce and the conversion, but they go along with the plan. Brian, Jay, and Moriah, all D.C. lawyers and lobbyists, are anyhow too wrapped up in their own dramas to explore their father’s. But Stuart, Jr., goes out to Oklahoma to do some ferreting—and finds that the odd hospital scheme is actually an even odder oil venture. Then he’s presented with evidence that makes him question his own paternity. Blood is thicker than water, perhaps, yet water’s thicker than air: it’s hard enough to stay loyal to your old man when your entire family hates him, he’s squandered your inheritance, and his second wife keeps praying for you in restaurants. But what if he’s not even your old man? That’s when you begin to wonder what family life is all about. Nicely drawn portraits that ring true, enclosed within a narrative that’s at times badly overwritten (—I was a humble cottage villager who carried in his rucksack daydreams of effortless and precocious success, and I was still trying then to make that quantum leap onto the staff of a senator—). Still, a good start.
Pub Date: Jan. 5, 1999
ISBN: 0-8018-6023-7
Page Count: 160
Publisher: Johns Hopkins Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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