Readers may be left wanting to know more about the protagonist, but he leads a promising and undeniably engrossing story.
In Mann’s (Angel Landing, 2013) thriller, the second in a series, world peace may be attainable through a series of games both literal and metaphorical on a global scale.
Former U.S. intelligence agent and lawyer Mark Jamison has an idea on how to end the Great Game, the Britain-Russia struggle for domination in the Middle East and Central Asia. With the hope of achieving religious unity in the Middle East, he suggests to the Vatican a game or series of games as a way to handle negotiations. History shows that matters have long been settled with a chessboard, often the more uncommon and intricate Byzantine chess. Now, finding lost Byzantine treasure or assistance from the mysterious Game Master, whom Jamison might know, could hold the keys to the games’ successful outcome. But, as a flashback reveals, Jamison has been part of the “global chessboard” for more than 30 years, and he may know so many secrets that he’s put himself and wife, Sarah, in danger. Mann’s novel, like his debut featuring Jamison, has a rich historical backdrop. It’s even more prominent this time around, as the bulk of the story follows Jamison from 1980 to present day, meeting and befriending figures like Russian President Vladimir Putin and living through real-world events such as 9/11. There are also snippets of ancient history, including relevant details of the Byzantine Empire. But Mann adds suspense and intrigue to the plot as well: Jamison, traveling the world from East Africa to China, picks up enough info that, for example, knowing too much about a U.S. oil company gets him abducted and forcefully interrogated. Such dense history saturating the pages doesn’t leave much room for lighter fare, especially humor, which is all but nonexistent. Even particulars on Sarah or the couple’s two children, Adam and Adrienne, are limited, which is disappointing since Sarah had a more significant role in the preceding book. Nevertheless, Mann knows how to deliver an espionage story, and it’s clear that chess is tantamount to war strategizing and negotiation tactics. It’s likewise fitting that Jamison must rely on wit and reasoning over physical prowess.
Readers may be left wanting to know more about the protagonist, but he leads a promising and undeniably engrossing story.Pub Date: Feb. 9, 2015
ISBN: 978-1457534898
Page Count: 208
Publisher: Dog Ear
Review Posted Online: June 25, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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