by Ayn Rand ‧ RELEASE DATE: July 7, 2015
The two versions, though, are useful to students of Rand’s work—and there’s a dissertation waiting in her use of the stilted...
Atlas yawned.
Someone somewhere, an acolyte or junior editor, thought it was a good idea to pull up a novel that Rand, the late cult writer and Social Security recipient, had kept in a drawer—and kept there for good reason, having tried the story in both prose and drama forms and preferred the latter. The setup is one of those Death Takes a Holiday morality plays so beloved in the days before Ernest Hemingway taught writers how to be vigorous: a Hollywood star, wanted for murder and on the lam, decides to test the adoration of six fans who had written her adoring letters—and, being a Howard Roark in furs, finds them wanting. Penned one, “Do you wonder why I am writing all this to you? It is because when I look at you on the screen, I know what it is that I want of life.” Yes, but is it what Kay Gonda wants? No, and what Kay Gonda wants, Kay Gonda gets. Kay, natch, has reason to be disappointed: she kills with kindness, like a lioness thinning a herd, but one unappreciative lumpenprole (“Aw, shut yer old face!”) dares hint at the possibility of turning her in for the fat reward offered in light of her crime. (And was it a crime? Ah, dear reader….) One character is a socialist on the way to repentance, another a cynic, another a soul-saver: they’re not characters but types, in trademark Rand fashion—for Rand, though certainly no socialist, traded heavily in social-realist symbols. The play version is a touch more successful if only because it’s a touch less talky (says Kay, imperiously cutting to the chase: “You can throw me out, if you wish. You can call the police, if you prefer. Only do so now.”). Still, neither leaps from the page to scream in testimonial to the author’s genius.
The two versions, though, are useful to students of Rand’s work—and there’s a dissertation waiting in her use of the stilted possessive. Otherwise, a mere curio.Pub Date: July 7, 2015
ISBN: 978-0-451-47555-8
Page Count: 256
Publisher: New American Library
Review Posted Online: May 18, 2015
Kirkus Reviews Issue: June 1, 2015
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by Mark Haddon ‧ RELEASE DATE: June 17, 2003
A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy,...
Britisher Haddon debuts in the adult novel with the bittersweet tale of a 15-year-old autistic who’s also a math genius.
Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”—and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched—any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it—and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds—his mother. How can this be? Read and see. Neither parent, if truth be told, is the least bit prepossessing or more than a cutout. Christopher, though, with pet rat Toby in his pocket and advanced “maths” in his head, is another matter indeed, and readers will cheer when, way precociously, he takes his A-level maths and does brilliantly.
A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy, moving, and likely to be a smash.Pub Date: June 17, 2003
ISBN: 0-385-50945-6
Page Count: 224
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
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by Yann Martel ‧ RELEASE DATE: June 1, 2001
A fable about the consolatory and strengthening powers of religion flounders about somewhere inside this unconventional coming-of-age tale, which was shortlisted for Canada’s Governor General’s Award. The story is told in retrospect by Piscine Molitor Patel (named for a swimming pool, thereafter fortuitously nicknamed “Pi”), years after he was shipwrecked when his parents, who owned a zoo in India, were attempting to emigrate, with their menagerie, to Canada. During 227 days at sea spent in a lifeboat with a hyena, an orangutan, a zebra, and a 450-pound Bengal tiger (mostly with the latter, which had efficiently slaughtered its fellow beasts), Pi found serenity and courage in his faith: a frequently reiterated amalgam of Muslim, Hindu, and Christian beliefs. The story of his later life, education, and mission rounds out, but does not improve upon, the alternately suspenseful and whimsical account of Pi’s ordeal at sea—which offers the best reason for reading this otherwise preachy and somewhat redundant story of his Life.
Pub Date: June 1, 2001
ISBN: 0-15-100811-6
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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