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HANA RESCUES MISTY

A light-hearted tale with an important message for young readers: courage comes in many forms, and often means putting our...

A stranded kitten leads to a lesson in courage and empathy for a young girl in Mehdi’s simple children’s tale.

Hana hears a mysterious meowing while walking home from the grocery store with her mother. Upon investigating, they discover a lone kitten stuck high in a tree. As she gazes at the white and black kitten with purple stripes, Hana wonders what it would feel like if she were stranded without her mother. A quick phone call to the fire department sends rescuers scrambling up a ladder in an attempt to recover the kitten. But the skittish kitten keeps crawling higher. Eager to assist, Hana asks if she can try to coax the kitten down. This earns her an adamant “Absolutely not!” from the fire brigade. But Hana won’t be deterred and soon finds herself harnessed to one of the firemen, ascending the ladder. Eventually, Hana saves the day through her bravery and determination. Mehdi’s slender tale emphasizes many admirable qualities, such as Hana’s ability to empathize and her instinct to get help. However, the ending shifts the focus to Hana’s bravery in climbing the ladder, an act few parents would want to glamorize. Izhar’s illustrations of Hana in her helmet and harness happily climbing the ladder seem to further make light of the danger, despite the text’s insistence that she is frightened. Overall, Izhar’s illustrations work well alongside Mehdi’s text and convey amusing details, such as the strikingly similar facial expressions of mother and daughter as they search for the kitten. Although the concept of this book is far from original, there is a small twist at the very end that adds depth and layer to the story; Hana learns that life can be unfair, even for heroes. 

A light-hearted tale with an important message for young readers: courage comes in many forms, and often means putting our own fears aside to help another.

Pub Date: Jan. 4, 2012

ISBN: 978-0615553610

Page Count: 32

Publisher: Azra Z. Mehdi

Review Posted Online: March 7, 2012

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THERE'S A MONSTER IN YOUR BOOK

From the Who's in Your Book? series

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.

Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.

“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)

Pub Date: Sept. 5, 2017

ISBN: 978-1-5247-6456-2

Page Count: 32

Publisher: Random House

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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