A charismatic new action hero worth following on further missions.

The First Secret of Edwin Hoff

Mark Zuckerberg meets James Bond in this origin story that’s part international terrorism thriller, part wish fulfillment fantasy.

In her first novel, Bourne attempts to reshape the past. Her main character is based on cherished former colleague Danny Lewin, an elite commando in the Israeli Defense Force’s Sayeret Matkal and founder of Akamai Technologies. Lewin was on Flight 11 out of Boston on Sept. 11, 2001. In a powerful and poignant author’s note, Bourne writes that a government report found that Lewin “fought to defend the stewardesses and cockpit from the hijackers,” who cut his throat. His heroics inspired this propulsive race-against-time narrative. Edwin Hoff, code named Raptor, is introduced in a suspenseful prologue in which he destroys a ricin manufacturer and his alter ego is revealed: an Internet entrepreneur and motivational guru about to take his company public. “It’s the chocolate factory, and you have one of the golden tickets,” he tells one employee in need of his mentorship. Edwin is charged with foiling a 9/11 plot to unleash a weaponized pneumonic plague aboard one of the hijacked aircrafts. That’s only the beginning of the globe-trotting adventure that transports readers from the Caribbean to Cambridge, Massachusetts, to Cairo and other international locales. Bourne deftly juggles the action with informed yet accessible writing about the dot-com boom and subsequent bust while advancing the story through the perspectives of a gallery of vividly drawn supporting characters. While the book doesn’t exactly set one’s hair on fire—a term Bourne uses to describe Edwin’s inspirational genius—it handily delivers the genre goods. Fortunately, a sequel’s on the way.

A charismatic new action hero worth following on further missions.

Pub Date: Sept. 5, 2011

ISBN: 978-0-9839807-0-4

Page Count: 370

Publisher: Watch Hill Books

Review Posted Online: July 8, 2015

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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