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DESSYRE (DES-I-RAY)

INSPIRED BY ACTUAL EVENTS

A gripping story brimming with psychological subtlety.

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A troubled young woman is arrested and faces deportation and prison time in Burns’ novel.

Marisa Susanna Du Plessis was born in Canada, the daughter of Victor Du Plessis and Daniela Gomes Costa (a South African and a Brazilian, respectively), parents who never bothered to secure her American citizenship after they moved to the United States when she was 6 months old. However, Marisa is as American as they come—she grows up in Kansas City, Missouri, attends high school there, and even serves for four years in the Marines before receiving an honorable discharge. She leads a mischievous life, one that sometimes drifts into criminality—she is arrested for drug possession and check fraud. When the federal authorities realize she is not an American citizen, they deport her. Traumatized by her expulsion from the only place she’s ever known, Marisa defiantly returns to the U.S.; her remarkable plight is compellingly conveyed by the author. When she’s caught yet again by the authorities, she is charged with illegal entry into the country following deportation, a serious crime that could land Marisa in prison for 20 years. She’s given assistance and encouragement by Alvey, a 67-year-old musician who gives her a lift one night before she’s arrested and takes a profound interest in her case and her life (“After all that had transpired in the previous month, there was no question in Alvey’s mind but that he would attend the preliminary hearing. Of all the events of the summer of ’23 to date, [Marisa] was the undisputed champion in the arena of Alvey’s attention”). As he investigates her past, both out of a burning curiosity and a desire to help, he peels back the bewildering layers of a life as fraught with difficulty as it is filled with promise.

The heart of the story is Marisa, a memorable protagonist who is exceedingly intelligent—she has a “genius level IQ”—but also possibly mentally ill. As a child, she begins assuming an alter ego, Desiree (which would be amended to “Dessyre”), who cheered on and legitimated her rebelliousness; this identity expanded to encompass a growing defiance of the law. “Desiree was a vestment that would open doors that were otherwise locked to Marisa. Desiree was an intuitive invention that didn’t die in the third grade. She would be resurrected over the years to confront challenges for which Marisa, despite all her innate intelligence, was unsuited to cope. And Desiree would develop in her complexity as life’s circumstances grew correspondently complex.” It is simply impossible for the reader not to sympathize with Marisa—even the legal authorities prosecuting her do—but it’s also impossible not to find her relentlessly self-destructive behavior a source of culpability (and exasperating). The plot has a tendency to meander and stall—Burns simply packs too much into a novel that balloons into something unmanageably prolix. For example, readers learn far more about Marisa’s parents than is necessary to the story, and the narrative probably spends too much time on Alvey as well. Still, this is an extraordinary tale, a riveting “dramatization inspired by true events.”

A gripping story brimming with psychological subtlety.

Pub Date: May 16, 2024

ISBN: 9798325798368

Page Count: 372

Publisher: Self

Review Posted Online: July 15, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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