by B.A. Shapiro ‧ RELEASE DATE: Oct. 16, 2018
Less might have been more in this increasingly convoluted fusion of history and fantasy centered on an ambiguous central...
A woman with a shameful past, now in search of revenge and her family’s forgiveness, finds herself assisting an irascible patron of the arts who is building one of the world’s great private art collections. But will his paintings ever be hers?
Inspired by the story of Philadelphia’s famed Barnes Foundation but fictionalized with a sizeable swirl of sensationalism, Shapiro’s (The Muralist, 2015, etc.) latest art-world novel spans three timelines involving Belgian Paulien Mertens, who grew up in a home graced by a collection of valuable art, including seven modern works by groundbreaking postimpressionists including Cézanne and Matisse. As the novel opens in Paris in 1922, Paulien, aged 19, has been banished from her home and family, which has been bankrupted in a Ponzi scheme launched by her fiancé, George Everard. Flashing back periodically to 1920, the novel shows how innocent Paulien fell into George’s trap; flashing forward to 1928, it reveals her reincarnated as Vivienne Gregsby, on trial for the murder of Dr. Edwin Bradley, a rich American chemist who was amassing a vast collection of postimpressionist art, including those seven Mertens paintings which Paulien dreams of restoring to her father. The central 1922 thread traces Paulien’s rebirth as Vivenne, her developing involvement with Bradley, and her move to the U.S. and yearning to inherit his collection herself. But whether flirting—and sleeping—with Matisse, palling around with Gertrude Stein, reuniting dubiously with George, or plotting in secret against Bradley, Paulien is a character short on both conviction and charm. And as the tale enters a late, repetitive spiral of machinations, a credulity-stretching mood intensifies.
Less might have been more in this increasingly convoluted fusion of history and fantasy centered on an ambiguous central figure.Pub Date: Oct. 16, 2018
ISBN: 978-1-61620-358-0
Page Count: 352
Publisher: Algonquin
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Lorna Barrett ‧ RELEASE DATE: Aug. 13, 2019
An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.
Too much free time leads a New Hampshire bookseller into yet another case of murder.
Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.
An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.Pub Date: Aug. 13, 2019
ISBN: 978-1-9848-0272-9
Page Count: 320
Publisher: Berkley
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
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by Agatha Christie ‧ RELEASE DATE: Feb. 28, 1934
A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.
**Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach. Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express. This is the only name now known for the book. The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.
Pub Date: Feb. 28, 1934
ISBN: 978-0062073495
Page Count: -
Publisher: Dodd, Mead
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Feb. 1, 1934
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