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THE SORROW OF WAR

A North Vietnamese veteran transforms his nation's conflict into an elegiac ode to doomed youth caught up in wars not of their making. This novel does not view war as a big, defining male adventure, but rather as something that crushes its participants when they are ``young, very pure, and very sincere'' and leaves behind a legacy of ``sublime sorrow, more sublime than happiness and beyond suffering.'' The narrator, Kien, is a veteran turned writer who joined the army fresh out of school. In a narrative that moves back and forth in time, he records not only the horrors of war, but also his unsatisfactory relationships with his father and with Phuong, the young woman he's loved since childhood. An assignment searching for bodies after a big battle begins his story. It reminds him of old comrades killed in action, of friends deserting because they wanted to see their families, and of his doomed love for Phuong, who, raped repeatedly on a train under bombardment, became ``a hardened experienced woman, indifferent to vulnerable emotions.'' He also describes his current difficulties: finding a place to live, money worries, and the memories that continue to assail him as he writes. (``The conflicts continued from the lines on pages into the real life of the author, the fighting refused to die.'') At the end, we learn that this story is an abandoned manuscript being readied for publication by a stranger who understands that Kien wrote, ``not because he had to publish...he had to think on paper.'' As one of 10 surviving members of a Youth Brigade once 500 strong, the author has the appropriate background for writing this novel, but—more importantly—his alchemy transforms the recognizable horrors of an actual war into universal experiences. A war novel in the great tradition of Remarque and Sassoon.

Pub Date: Feb. 3, 1995

ISBN: 0-679-43961-7

Page Count: 240

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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