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COAL

A HUMAN HISTORY

It’s dirty, it’s cheap, and its past—in Freese’s hands—makes for an intriguing, cautionary tale. (Photo insert)

The history of coal, that unglamorous substance that environmental attorney Freese manages to buff until it shines like its distant cousin the diamond.

Coal’s heat-giving qualities weren’t what first attracted people to it, explains Freese, but jet—a type of hard, shiny coal—was prized for use as ornamentation. It wasn’t long, though, before coal became known as the genie bearing the gift of warmth and power, with all kinds of strings attached. Freese concentrates her story on the evolution of coal in Great Britain, the US, and China. It was used in what became Wales during the Bronze Age to cremate the dead and in Stone Age China as jewelry, but its world-changing properties weren’t tapped until later, when it warmed the hearth and drove the engine of industry. Freese’s writing is a bit like coal—smooth and glinting, burning with a steady warmth—though with none of its downsides, for coal also contributed to miserable air quality, black-lung disease, scarred landscapes, and outrageous working conditions, along with “social and economic policies that tolerated and exacerbated the suffering” that gave rise to both the Molly Maguires and the Pinkerton Agency as well as a whole distinct class of “social outcasts who faced astonishing dangers in providing an increasingly vital commodity.” Freese gives ample space to coal’s polluting nature (as Assistant Attorney General of Minnesota, she became involved in investigating its effects both within and outside the state), the consequences it wrought on London and continues to heap on China, as well as its role in acid rain, smog, disease, global warming, and possible influence on natural climatic jolts, all the while keeping the story lively with a wealth of fascinating coal-related oddments.

It’s dirty, it’s cheap, and its past—in Freese’s hands—makes for an intriguing, cautionary tale. (Photo insert)

Pub Date: Jan. 1, 2003

ISBN: 0-7382-0400-5

Page Count: 304

Publisher: Perseus

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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