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A BOY, A MOUSE, AND A SPIDER

THE STORY OF E.B. WHITE

A stunner—radiant even.

The story of how E.B. White came to write two of his three classic children’s books.

Young Elwyn White, sick in bed, befriended a mouse. Later, “on a train one night in a dream,” a “dapper” mouse dressed in a hat and carrying a cane appeared to Andy (the author’s nickname since his college days at Cornell). When Andy moved to Maine, “he filled his barn with stoic sheep, anxious hens, and gossiping geese. But he still had a mouse on his mind.” The mouse became Stuart Little. In an old boathouse, “with a mouse for company,” Andy created a story about a pig and a spider, denizens of the “high-lofted barn” he had always dreamed of. And Charlotte’s Web came to be. Herkert’s elegant prose and Castillo’s stunning brown ink–and-watercolor illustrations team up for a magnificent model of what a picture book can be. The double-page spreads are simply gorgeous: Elwyn’s nighttime neighborhood, with yellow-amber house lights under a blue sky and crescent moon; a brown-toned New York City street scene followed by the pastoral beauty of Maine; and a breathtakingly beautiful barn scene, reminiscent of Garth Williams’ original Charlotte’s Web but this one in glowing colors. Though White’s third classic, The Trumpet of the Swan, is only mentioned in the author’s note, this is some book.

A stunner—radiant even. (bibliography) (Picture book/biography. 5-10)

Pub Date: Oct. 24, 2017

ISBN: 978-1-62779-245-5

Page Count: 40

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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SUPERHEROES ARE EVERYWHERE

Self-serving to be sure but also chock-full of worthy values and sentiments.

The junior senator from California introduces family and friends as everyday superheroes.

The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.

Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-984837-49-3

Page Count: 40

Publisher: Philomel

Review Posted Online: Jan. 7, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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GRANDMA'S GARDENS

Sage, soothing ideas for a busy, loud, sometimes-divisive world.

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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