Next book

THE TATTOOED MAP

Newcomer Hodgson weighs into the illustrated novel/journal genre, † la Nick Bantock's Sabine trilogy, with a multimedia tale of mystery, magic, and travel in North America crammed full of maps, pictures, old postcards, and magazine cuttings. Lydia, a researcher, and Chris, an antiques buyer and her former lover, set off on a six-month trip, starting in North Africa. Lydia, compulsive in her early journal entries, is soon overtaken by the hypnotic beauty of Morocco and vividly evokes the wondrous chaos of the markets, the exotic odors wafting on warm breezes, the intricacies of the ancient architecture. Her composure is eroded when, first in Tangier and later in Fez, she spies, watching her from across various cafes, the same handsome and mysterious man she saw in Morocco. While in Tangier, Lydia awakes one morning to find a cluster of flea bites on her wristmarks that gradually reveal themselves to be a tattoo forming a map running the length of her arm. She then finds and begins to follow a 1943 guidebook to Morocco. After she disappears, Chris reads her journal and soon uses it to record his own thoughts. He also meets, he thinks, the family of the handsome man Lydia claimed to have met; but unable to track her down after three weeks, he goes back home and reads through the same material Lydia had read before their trip. Realization dawning on him and now ensnared in the same mysterious world as Lydia, he returns to Morocco to find herwherever she may exist. Artistically less enthralling than Sabine, and a little too mysterious for its own good, but, still, it leaves a reader hungry for a follow-up: It's captivating but begs a better, or at least further, revelation of its secrets. (Over 65 color and 68 b&w illustrations)

Pub Date: Sept. 20, 1995

ISBN: 0-8118-0817-3

Page Count: 120

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview