``The advantages of deliberate death are too appealing to simply go away,'' asserts demographer Logue in this examination of the social forces that are driving us toward ``death control,'' especially for the old and frail. Logue draws frequent parallels between death control— defined here as deliberate behavior that hastens death for a person suffering from an incurable condition, including the degenerative symptoms of old age—and birth control. Controlling reproduction, once a taboo topic and a criminal act, is now common practice, and Logue sees the same development occurring in the control of death as public acceptance of the idea, perception of its advantages, and the means of achievement come together. She considers the possible alternatives to death control, such as better care for the frail elderly, and concludes that improving care may actually lead to an increase in deliberate deaths as care-givers come to see that caring is consistent with letting- go, even with helping to let go. Logue acknowledges that death control has risks as well as advantages and that these risks are not spread evenly: gender, race, and class come into play. She's confident, however, that the risks can be minimized with proper legislation, and that just as we have done away with back-alley abortions, so can we do away with ``back-alley euthanasia.'' Opponents of death control will argue that the risks are inadequately explored here, but if Logue's goal is to document the growing acceptance of death control and to stimulate debate on the issue, she succeeds. A well-researched, clear presentation of a tough topic. (For an opposing view, see Rita Marker's Deadly Compassion, reviewed below.)

Pub Date: April 12, 1993

ISBN: 0-669-27370-8

Page Count: 300

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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