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CAROLINE AND THE NOT-MAMMA

An absolutely hilarious family tale, entertainingly illustrated and empathetic.

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In this picture book, a grandmother looks after her grumpy little granddaughter.

Caroline, a pale-skinned toddler who wears a pink tutu and striped top, isn’t happy that her parents are leaving her for a short time with her grandmother. For the little girl, what this means is dealing with “Not-Mamma.” Patient and unflappable, Caroline’s grandmother fixes a meal, cleans the girl’s high chair, and takes her to the park. They have such a good time that on returning home, Caroline gets over her bad mood and crawls on her grandmother’s lap for a story before her nap. Leary, in this third installment of her Happy Happy After Story series, offers a charming, quietly tender, and very funny take on the melodramatic emotions of small children. For example, when Caroline throws a tantrum because Not-Mamma might eat her with her “terrifying teeth,” the narration drolly reads: “ ‘Oh dear, Caroline,’ said Not-Mamma, not eating her.” The repetitions, including Caroline’s screaming fits, also work well. The images by Kochetova are as delightfully amusing as the text and contribute to the story through elements like the family cat’s expressive reactions.

An absolutely hilarious family tale, entertainingly illustrated and empathetic.

Pub Date: July 7, 2020

ISBN: 978-1-7340258-6-6

Page Count: 28

Publisher: Coquina Press

Review Posted Online: April 13, 2020

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LOTS OF LOVE LITTLE ONE

FOREVER AND ALWAYS

So sweet it’ll have readers heading for their toothbrushes.

Another entry in the how-much-I-love-you genre.

The opening spread shows a blue elephant-and-child pair, the child atop the adult, white hearts arcing between their uplifted trunks: “You’re a gift and a blessing in every way. / I love you more each and every day.” From there, the adult elephant goes on to tell the child how they are loved more than all sorts of things, some rhyming better than others: “I love you more than all the spaghetti served in Rome, // and more than each and every dog loves her bone.” More than stars, fireflies, “all the languages spoken in the world,” “all the dancers that have ever twirled,” all the kisses ever given and miles ever driven, “all the adventures you have ahead,” and “all the peanut butter and jelly spread on bread!” Representative of all the world’s languages are “I love you” in several languages (with no pronunciation help): English, Sioux, French, German, Swahili, Spanish, Hawaiian, Chinese, and Arabic (these two last in Roman characters only). Bold colors and simple illustrations with no distracting details keep readers’ focus on the main ideas. Dashed lines give the artwork (and at least one word on every spread) the look of 2-D sewn toys.

So sweet it’ll have readers heading for their toothbrushes. (Picture book. 2-6)

Pub Date: Dec. 4, 2018

ISBN: 978-1-4926-8398-8

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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