by Barbara Lekisch ‧ RELEASE DATE: July 1, 2003
A nice gift book for those enamored with the Lake Tahoe area, and an invaluable reference for scholars of the local...
A near-encyclopedic collection of brief biographies about 150 men and women who captured the characteristics of Lakes Tahoe and Donner and the vicinity through paintings, illustrations and sketches.
The first entry is Edwin Austin Abbey (1852-1911), who trained as a painter in his native Philadelphia, began working for Harper's Weekly in New York at age 18, moved to England to work for Harper & Brothers publishing company and became especially known for his “detailed exhibition watercolors and elegant line drawings.” Those works include Boating on Donner Lake and Donner Lake, Crested Peak and Mount Lincoln. The excerpt from the Abbey entry suggests Lekisch's thoroughness: Tracking down so much art work related to a specific geographic area is a time-consuming task, as is compiling biographical information from a wide variety of sources on each of the artists–but tasks that she handles well. Eight works of art are reproduced in the middle of the book, three of them in color–a view of Mount Tallac from Lake Tahoe by artist Thomas Hill is especially striking. The clearly written biographical entries are supplemented by sections from the diary of James Lamson, who explored California from 1852 to 1861; the essay “Art Beginnings on the Pacific,” by Benjamin Parke Avery, published in an 1868 edition of Overland Monthly; a 1920 newspaper feature from the Oakland Tribune relating to Lekisch's theme; an index; and a useful bibliography.
A nice gift book for those enamored with the Lake Tahoe area, and an invaluable reference for scholars of the local geography.Pub Date: July 1, 2003
ISBN: 0-944220-14-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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