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MY LESBIAN HUSBAND

LANDSCAPES OF A MARRIAGE

Much broader than a lesbian-interest title, this book will resonate with many readers, regardless of sexual orientation,...

A passionate, intricately composed memoir of the author’s long-term love relationship, set against the backdrop of their Minneapolis neighborhood and complicated family ties.

With colorful, witty, richly woven prose, Borich (Restoring the Color of Roses) invites the reader into a life that is at once ordinary and wholly unique. Alternating between different years in her relationship, and leading up to her actual wedding, Borich’s narrative unfolds like a patchwork quilt. She offers sketches of her family, daily dog walks, city noises and urban dramas, her collection of kitschy Madonna art, and her lover’s obsession with motorcycles and birdwatching. Though clearly a romantic, Borich is no fool. She acknowledges the precariousness of permanence even as her prose swirls around her and her lover’s entwined feet: "I doubt our lives or loves are predetermined...Much of the time I get to choose, and I don't need a psychic to tell me which is the happier destiny. Today I choose to cling to this world, to Linnea’s arm, as the planet where we live inches around its axis again and we breathe in and out, wondering what will happen tomorrow." Borich does skimp a bit on the nitty-gritty of tensions, problems, and arguments that must have arisen over 12 years of partnership. But if she errs on the side of bliss, she does so by staying rooted in everyday experience. She is similarly egalitarian in her portrayal of family members and the ways in which heterosexual bonding is awarded more legitimacy by her parents, aunts, and cousins. One of the moving aspects of the book is how some of these family members shift over the years toward more acceptance of Borich and her "lesbian husband."

Much broader than a lesbian-interest title, this book will resonate with many readers, regardless of sexual orientation, bringing a nod of recognition to some, a twinge of longing to others.

Pub Date: Sept. 1, 1999

ISBN: 1-55597-292-6

Page Count: 308

Publisher: Graywolf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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