illustrated by Barry Moser ‧ RELEASE DATE: March 1, 2008
The main character in this fine interpretation of the beloved psalm is a modern-day shepherd boy from the Caribbean island of Antigua. Beneath the title words set in shiny blue type, the simple but striking cover shows the smiling boy protectively holding his charge, a lamb that appears throughout the volume. The shepherd boy’s care for the lamb cleverly echoes the words of the psalm as he provides food, water, shelter and protection from danger. Moser’s masterful watercolors evoke the tropical heat in sunny green pastures and the welcome cool of shadows falling on sleeping sheep. His thoughtful illustration of the valley of the shadow of death shows two lost sheep at the bottom of a dark chasm. Sharp-eyed readers will note mysteriously malevolent eyes peering out from crevices, with a single yellow butterfly providing a glimpse of hope. Though his conceptualization of the psalm is simple in nature, the overall effect is powerful, concluding with a spread of misty purple skies and sea behind one white dove taking flight. An introductory artist’s note explains Moser’s connection to the Antiguan setting and his interpretation of the psalm’s text. (publisher’s note) (Picture book/nonfiction. 4-8)
Pub Date: March 1, 2008
ISBN: 978-0-310-71085-1
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
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by Rachael Denhollander ; illustrated by Morgan Huff ‧ RELEASE DATE: Sept. 10, 2019
Girls will hear the answer to the titular question.
Teaching our daughters how to love themselves is the first step toward the next generation’s owning its power.
It’s heady stuff for a picture book, but it’s never too soon for a woman—even a little woman—to know her worth. Denhollander (the first of sex offender Larry Nassar’s abuse victims to speak out) presents a poetic discourse that resonates beyond its young intended audience. Her simple rhyming couplets speak to the power of image and the messages that shape how we become who we are. The eloquence comes not from the words or phrasing as much as the message as well as the passion. Denhollander, an attorney, a mother, and a former gymnast–turned-coach for a time, delivers stanzas infused with sweet sentimentality as well as fiery fierceness. New artist Huff provides lovely, expressive illustrations depicting girls of many racial presentations in various stages of self-discovery and acceptance. The figures are smiling and cartoonlike, with oversized, round heads and sturdy bodies—though none could be called fat, none exhibits twiglike proportions. Denhollander’s book is unapologetically Christian in approach, with more than one reference to “Him” or a creation by a greater power. With sincerity helping to mitigate occasionally artless text, this is a worthwhile message for young girls who, in an age of shrinking women’s rights, need all the encouragement possible to find their voices and love themselves.
Girls will hear the answer to the titular question. (author’s note) (Picture book. 4-8)Pub Date: Sept. 10, 2019
ISBN: 978-1-4964-4168-3
Page Count: 32
Publisher: Tyndale House
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Mark Batterson & Summer Batterson Dailey ; illustrated by Benedetta Capriotti ‧ RELEASE DATE: Sept. 8, 2020
Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in.
Rhyming text and colorful multicultural illustrations reassure young readers of God’s omnipresence and still small voice.
“Where in the world is God’s voice found?” Perhaps in ocean waves, bird song, or mountain vistas, suggest the couplet rhymes. Even when readers might be faced with difficult emotions and distractions of all kinds, the text reassures them that God is still there and still speaking, if only one pauses to listen. His voice can be found in nature, in starlight, in the love of family and friends, in dreams, and “through His Word.” Admirably, the bright illustrations, reminiscent of mid-20th-century Disney artist Mary Blair’s stylings, depict children and families with a diverse array of skin tones and ages. There is also a refreshing mix of urban, suburban, and rural settings. Yet, despite the appealing illustrations, the rhymes and scansion are often forced (“your feelings, they matter, / even if they’re all mixed up like / pancake batter”), which detracts from the overall message. Contrived couplets notwithstanding, this title will likely find an audience among Christian households seeking reassuring bedtime reads.
Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in. (Picture book. 4-6)Pub Date: Sept. 8, 2020
ISBN: 978-0-525-65385-1
Page Count: 40
Publisher: WaterBrook
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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